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Midnight Blue is a 1963 [5] [6] [7] album by jazz guitarist Kenny Burrell featuring Stanley Turrentine on tenor saxophone, Major Holley on double bass, Bill English on drums and Ray Barretto on conga, and is one of Burrell's best-known works for Blue Note. [8]
Ready or Not was a commercial success, reaching number 27 on the US Billboard 200.It generated two hit songs. The lead-off single, "Midnight Blue", peaked at number 5 on the Billboard Hot 100 [4] and climbed to the top of the Mainstream Rock chart. [5]
"Midnight Blue" is a song by American rock singer-songwriter Lou Gramm, issued as a 7" single in the United States in January 1987 by Atlantic Records. It was the lead-off single from Gramm's debut album, Ready or Not, released in February 1987. An extended remix of the song was available as a 12" single.
A solo steel drum player performs with the accompaniment of pre-recorded backing tracks that are being played back by the laptop on the left of the photo.. A backing track is an audio recording on audiotape, CD or a digital recording medium or a MIDI recording of synthesized instruments, sometimes of purely rhythmic accompaniment, often of a rhythm section or other accompaniment parts that ...
Burrell was born in Detroit. Both his parents played instruments, [6] and he began playing guitar at the age of 12 after listening to Charlie Christian's recordings. During World War II, due to metal shortage, he abandoned the idea of becoming a saxophonist, and bought an acoustic guitar for $10.
Kenny Burrell, also known as Kenny Burrell, Volume 2, is an album by American jazz guitarist Kenny Burrell primarily recorded on March 12, 1956 and released on Blue Note the following year. [ 2 ] Background
Midnite Vultures is the seventh studio album by American musician Beck, released on November 16, 1999, by DGC Records.While similar to most of Beck's previous albums in its exploration of widely varying styles, it did not achieve the same blockbuster success as his breakthrough album Odelay, but was still critically acclaimed and commercially successful.
Allmusic said "these pieces on Midnight Blue all feel very ponderous, open, and yet unyielding. This is uncharacteristic of most of Collier's work, and it feels as if even he didn't know what he was going for when he wrote these works.