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Häxan (1922), a horror essay film about the historical roots and superstitions surrounding witchcraft. A film essay (also essay film or cinematic essay) consists of the evolution of a theme or an idea rather than a plot per se, or the film literally being a cinematic accompaniment to a narrator reading an essay. [9]
As an example, when the topic is too difficult to discuss in a short talk page message, cite an essay in a way that clearly says it's an essay. Make sure the cite is given as advice, not admonishment. For example, say "I really think you might want to cut down on the essays. The example essay describes well why I feel you're going a little ...
F for Fake is sometimes considered an example of a film essay. In addition to the 88-minute film, in 1976, Welles also shot and edited a self-contained nine-minute short film as a " trailer ", almost entirely composed of original material not found in the main film itself.
Despite being a tad too long and a trifle repetitive, the documentary essay “Confessions of a Good Samaritan” from American helmer Penny Lane is a thought-provoking personal investigation into ...
Seven international broadcast majors have teamed to launch a call for documentary proposals at the ongoing Sunny Side of the Doc market. The international documentary coproduction unit of France ...
Video essays are an emerging media type similar to film essays. Video essays have gained significant prominence on YouTube, as YouTube's policies on free uploads of arbitrary lengths have made it a hotbed. Some video essays feature long, documentary style writing and editing, going deep into the research and history of a particular topic.
Documentary mode is a conceptual scheme developed by American documentary theorist Bill Nichols that seeks to distinguish particular traits and conventions of various documentary film styles. Nichols identifies six different documentary 'modes' in his schema: poetic, expository, observational, participatory, reflexive, and performative.
A director's statement is a written description in which a film director explains the motive and vision behind making a particular film. It is usually included in a proposal to producers or financiers, or in press material made available for distributors, film festival programmers, journalists, and critics. [1] [2]