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By the mid-18th century, Britain was the leading wallpaper manufacturer in Europe, exporting vast quantities to Europe in addition to selling on the middle-class British market. However this trade was seriously disrupted in 1755 by the Seven Years' War and later the Napoleonic Wars, and by a heavy level of duty on imports to France.
[6] [7] The wallpaper had been on the walls of a parlor in the Federal period Stoner House in Maryland until 1961 when the house was demolished for a grocery store. [8] Just before the demolition, the wallpaper was salvaged and sold to the White House. As with many 18th century wallpapers, this panorama is designed to be hung above a dado.
Patterns for these panels followed fashions in silk damask, at some lag in time, since the high-relief wooden moulds were laborious to make. After the second half of the 18th century, this luxurious artisan product was no longer made, [8] its place taken in part by chintz hangings and printed wallpapers.
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It was the largest panoramic wallpaper of its time, and marked the burgeoning of a French industry in panoramic wallpapers. Dufour realized almost immediate success from the sale of these papers and enjoyed a lively trade with America. Like most of eighteenth century wallpapers, the panorama was designed to be hung above a dado.
Grand Neoclassical interior by Robert Adam, Syon House, London Details for Derby House in Grosvenor Square, an example of the Adam brothers' decorative designs. The Adam style (also called Adamesque or the Style of the Brothers Adam) is an 18th-century neoclassical style of interior design and architecture, as practised by Scottish architect William Adam and his sons, of whom Robert (1728 ...