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Xẩm or Hát xẩm (Xẩm singing) is a type of Vietnamese folk music which was popular in the Northern region of Vietnam but is considered nowadays an endangered form of traditional music in Vietnam. In the dynastic time, xẩm was performed by blind artists who wandered from town to town and earned their living by singing in common places.
Singing Quan họ at Hoàn Kiếm Lake Women sing Quan họ at Đô Temple. Quan họ (Vietnamese: [kwaːn hɔ̂ˀ]) singing is a Vietnamese folk music style characterized both by its antiphonal nature, with alternating groups of female and male singers issuing musical challenges and responses.
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Beyond its role as a musical instrument, the trống cơm has deeply integrated into the folk music traditions of the Vietnamese people through the Northern folk song of the same name. This song, with its cheerful melody and communal spirit, reflects the everyday life and cultural essence of the Bắc Bộ region, further cementing the trống ...
Nhã nhạc (Vietnamese: [ɲǎːˀ ɲàːˀk], 雅樂, "elegant music") is a traditional music of Vietnam.Vietnamese court music is very diverse, but the term nhã nhạc refers specifically to the Vietnamese court music performed from the Trần dynasty of the 13th century to the Nguyễn dynasty at the end of the 20th century.
Xoan singing or hát xoan (Vietnamese for 'spring singing', Chữ Nôm: 咭春) is a genre of Vietnamese folk music performed in spring during the first two months of the Tết Nguyên Đán in Phú Thọ Province. [1] The genre includes acting, ceremony, chant, dancing, drumming, and singing; with themes involve romance, riddles, and work. [1]
Traditional Vietnamese musical instruments are the musical instruments used in the traditional and classical musics of Vietnam. They comprise a wide range of string, wind, and percussion instruments, used by both the Viet ( Kinh ) majority as well as the nation's ethnic minorities .
Hát chầu văn (Vietnamese: [háːt cə̂w van], chữ Nôm: 喝朝文), or in secular form hát văn (喝文), [1] is a traditional folk art of northern Vietnam which combines trance singing and dancing. [2] Its music and poetry are combined with a variety of instruments, rhythms, pauses, and tempos.