Search results
Results From The WOW.Com Content Network
In Chapters I to X, Montesquieu postulates that the wealth, military might and expansionist policies, which were by most historical accounts a source of great strength for Rome, actually contributed to the weakening of the spirit of civic virtue of Roman citizens. After detailing the history of Rome's many wars, Montesquieu claimed, "The ...
Château de la Brède, Montesquieu's birthplace. Montesquieu was born at the Château de la Brède in southwest France, 25 kilometres (16 mi) south of Bordeaux. [4] His father, Jacques de Secondat (1654–1713), was a soldier with a long noble ancestry, including descent from Richard de la Pole, Yorkist claimant to the English crown.
For analysis of Montesquieu's Considerations sur les causes de la grandeur des Romains et de leur decadence, see David Lowenthal's introduction in his translation of the book (New York: Free Press, 1965); Richard Myers, "Christianity and Politics in Montesquieu's Greatness and Decline of the Romans," Interpretation 17 (winter 1989-90): 223-38 ...
Montesquieu's treatise, already widely disseminated, had an enormous influence on the work of many others, most notably: Catherine the Great, who produced Nakaz (Instruction); the Founding Fathers of the United States Constitution; and Alexis de Tocqueville, who applied Montesquieu's methods to a study of American society, in Democracy in America.
Thus Cicero fused the Greek and Roman traditions, transforming the Greek view of magnificence into a Roman concept. The Latin word magnificentia comes from the expression magnum facere, which literally means "to do something great". In Cicero's formulation, it refers to the greatness of the task, the intention to realize it, and the ...
The phrases renovatio Romanorum ("renewal of the Romans") and renovatio urbis Romae ("renewal of the city of Rome") had been used already during Antiquity. [3] The word renovatio ("renewal") and its relatives, restitutio ("restitution") and reparatio ("restoration"), appeared on some Roman coins from the reign of Hadrian onward, usually signifying the restoration of peace after a rebellion. [4]
The painting depicts the count Robert de Montesquiou, a French poet famous for his elegance and eccentricity of his lifestyle.One of the leading names of the social life of Paris in the late 19th century, Montesquiou was an inimitable dandy and an enthusiastic supporter of the aesthetic ideas of John Ruskin and Walter Pater.
The piece uses the literary device of a dialogue of the dead, invented by ancient Roman writer Lucian and introduced into the French belles-lettres by Bernard de Fontenelle in the 18th century. Shadows of the historical characters of Niccolò Machiavelli and Montesquieu meet in Hell in the year 1864 and dispute on politics. In this way Joly ...