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The phenomenology of architecture is the philosophical study of architecture employing the methods of phenomenology. David Seamon defines it as "the descriptive and interpretive explication of architectural experiences, situations, and meanings as constituted by qualities and features of both the built environment and human life".
Historically, multiple approaches were suggested to address the reflection of the structure in the appearance of the architectural form. In the 19th-century Germany, Karl Friedrich Schinkel suggested that the structural elements shall remain visible in the forms to create a satisfying feeling of strength and security, [3] while Karl Bötticher as part of his "tectonics" suggested splitting the ...
The book is aimed at architecture and design students not already familiar with mathematics, [3] and is self-contained [4] although not always easy going. [3] It includes many exercises and experiments, [4] some of which involve paper folding or the uses of mirrors rather than being purely mathematical, [6] and are often aimed at practical applications. [4]
Advances in the study of Architectural (formal) morphology have the potential to influence or foster new fields of study in the realms of the arts, cognitive science, psychology, behavioral science, neurology, mapping, linguistics, and other as yet unknown cultural spatial practices or studies based upon social and environmental knowledge games ...
Architectural discourse from the illustrated French Dictionary of Architecture (1856) by Eugène Viollet-le-Duc. Architectural theory is the act of thinking, discussing, and writing about architecture. Architectural theory is taught in all architecture schools and is practiced by the world's leading architects.
Architectural determinism (also sometimes referred to as environmental determinism though that term has a broader meaning) is a theory employed in urbanism, sociology and environmental psychology which claims the built environment is the chief or even sole determinant of social behaviour. A.
Developed in the 1920s, Le Corbusier's 'Five Points of Modern Architecture' (French: Cinq points de l'architecture moderne) are a set of architectural ideologies and classifications that are rationalized across five core components: [3] Pilotis – a grid of slim reinforced concrete pylons that assume the structural weight of a building. They ...
He was a pupil at the Art Students' League in New York and of William Merritt Chase, and a thorough student of classical art.He conceived the idea that the study of arithmetic with the aid of geometrical designs was the foundation of the proportion and symmetry in Greek architecture, sculpture and ceramics. [1]