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The first sacred buildings of any importance in Brazil were erected in the second half of the 16th century. Their construction was justified with the development of some populated settlement, as in the cases of Olinda and Salvador. The simplest ones used the wattle and daub technique and covered by palm fronds. Catholic missionaries were ...
They built sacred and secular buildings, including houses and forts in Brazilian cities and the countryside. They founded Recife, São Paulo, Rio de Janeiro, Salvador in the colonial period; these cities saw the best expression of Brazilian architecture. [2] [1] Buildings of this period were distinct because they followed similar rules such as ...
Cathedral of the Sacred Heart of Jesus in Assis; Cathedral of St. Therese in Bacabal; Cathedral of St. Sebastian in Bagé; Cathedral of St. Francis of Assisi in Barra; Cathedral of Our Lady of Guidance in Barra do Garças; Cathedral of St. Ann in Barra do Piraí; Cathedral of St. John the Baptist in Barreiras; Cathedral of the Holy Spirit in ...
Between 2011 and 2013, the 12 images of the apostles, the chapel of the Blessed Sacrament, the side chapels and the organ with 6,000 pipes, which was installed in 1954 during the celebrations of São Paulo's fourth centenary, were restored. The six panels in the chancel depicting scenes from the life of Mary, the sacred sculptures and the ...
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Pages in category "Baroque church buildings in Brazil" The following 42 pages are in this category, out of 42 total. This list may not reflect recent changes .
The National Historic Heritage of Brazil are buildings, monuments, structures, objects and sites deemed of historic or cultural importance to the country. The register is maintained by the National Institute of Historic and Artistic Heritage of Brazil .
The second special genre, the de roca statues, were also sacred in nature and shared a common purpose with the missionary art, as both were didactic. Manipulated by puppeteers in plays of a sacred character, they were instrumental in exciting piety in the people, enhancing the dramatic effect of the play.