Search results
Results From The WOW.Com Content Network
Most often, choirs consist of four sections intended to sing in four-part harmony, but there is no limit to the number of possible parts as long as there is a singer available to sing the part. For instance, Thomas Tallis wrote a 40-part motet entitled Spem in alium , for eight choirs of five parts each; while Krzysztof Penderecki 's Stabat ...
Four-voice texture in the Genevan psalter: Old 124th. [1] Play ⓘ. Four-part harmony is music written for four voices, or for some other musical medium—four musical instruments or a single keyboard instrument, for example—for which the various musical parts can give a different note for each chord of the music.
To sing vocal harmony in a pop or rock context, backup singers need to be able to adjust the pitch of their notes so that they are in tune with the pitch of the lead vocalist and the band's instruments. As well, the rhythm of the backup harmony parts has to be in time with the lead singer and the rhythm section. While some bands use relatively ...
In Baroque music (1600–1750) and music from the early Classical period music (1750–1820), the percussion parts in orchestral works may only include timpani. [ clarification needed ] A wind orchestra or concert band is a large classical ensemble generally made up of between 40 and 70 musicians from the woodwind, brass, and percussion ...
The letters of the abbreviation are also used by publishers to describe different scorings for soloists and choirs other than four-part harmony. For example, the listing "STB solos, SATB choir" of Bach's Wachet auf, ruft uns die Stimme, BWV 140, indicates that a performance needs three soloists: soprano, tenor and bass, and a four-part choir. [5] "
Melody in tenor part, three- to five-part settings, e.g. Eyn geystlich Gesangk Buchleyn (Walter 1524) Four- to six-part settings, with thorough bass accompaniment, e.g. Neu Leipziger Gesangbuch (Vopelius 1682) Collections, e.g. Bach's four-part chorale editions. Colla parte accompaniment, e.g. closing chorales of Bach-cantatas
Its origins are varied, including 4-part hymn singing, shape note singing, barbershop quartets, jubilee songs, spirituals, and other Gospel songs. Gospel quartets sing in four-part harmony , with parts given to a tenor , or highest part; lead, which usually takes the melody ; baritone , which blends the sounds and adds richness; and the bass ...
In choral musical notation, TTBB denotes a four-part lower-voice choir. Composed of tenors and basses, Its configuration is Tenor 1, Tenor 2 (or lead), Bass 1 (or Baritone), and Bass 2. Typically (but not always) one of the Tenor parts is the melody, with the other parts as harmony(s).