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The 144,000 (Rev. 7:4; 14:1, 3) are the multiples of 12 x 12 x 10 x 10 x 10, a symbolic number that signifies the total number (tens) of the people of God (twelves). The 12,000 stadia (12 x 10 x 10 x 10) of the walls of the New Jerusalem in Rev. 21:16 represent an immense city that can house the total number (tens) of God's people (twelves ...
Numerorum mysteria (1591), a treatise on numerology by Pietro Bongo and his most influential work in Europe [1]. Numerology (known before the 20th century as arithmancy) is the belief in an occult, divine or mystical relationship between a number and one or more coinciding events.
God's algorithm is a notion originating in discussions of ways to solve the Rubik's Cube puzzle, [1] but which can also be applied to other combinatorial puzzles and mathematical games. [2] It refers to any algorithm which produces a solution having the fewest possible moves (i.e., the solver should not require any more than this number).
Examples include references to the god Atum "when he was one and became three" when he gave birth to Shu and Tefnut, and the triad of Horus, Osiris, and Isis. Examples. The beer used to trick Sekhmet soaked three hands into the ground. The second god, Re, named three times to define the sun: dawn, noon, and evening.
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The number seven, the importance of divine names, and the prevalence of sympathetic magic all have significance in the literature of Middle Eastern magic. The text demonstrates strong syncretism of Jewish and Greek traditions; [ 4 ] an example is a prayer to the sun god Helios to invoke him at night:
The number on which the flower falls is believed to give a broad indication of the future of the believer. For example, if the design is Sri Rama Chakra in the form of a magic square and the number on which the flower has fallen is 11 then the person can expect "victory in his/her future endeavors". [9]
Technological ability (science) can appear as magic. [37] Often, wielding magic is accomplished by imposing one's will by concentration and/or use of devices to control an external magical force. This explanation is offered for the Force in Star Wars, magic in Dungeons & Dragons, and magic in The Chronicles of Narnia and The Lord of the Rings.