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"Save Me" is a song by American alternative rock band Remy Zero, released as a single on September 10, 2001 via Elektra Records. Taken from their third and final studio album The Golden Hum , it reached number 27 on the United States Billboard Modern Rock charts, and became a moderate hit in several countries.
The Golden Hum is the third and final studio album by American band Remy Zero, released in 2001, produced for Elektra Records.The album became popular for the song "Save Me", which was featured as the theme song for the TV show Smallville on The WB and The CW.
The series' opening theme is the short version of "Save Me" performed by Remy Zero. Snow composed the closing-credits music, which was intended as Smallville ' s theme. During the first two seasons, the closing-credits music was a potential theme for the series (before "Save Me" was selected); it was more "heroic" and "in-your-face".
Before there was the Arrowverse, there was Smallville. The series, which ran for 10 seasons on the WB and The CW, followed a teenage Clark Kent (Tom Welling) in his early days as a farm-dwelling ...
Somebody Save Me may refer to: "Somebody Save Me" (Cinderella song), 1987 "Somebody Save Me" (Eminem song), 2024; Somebody Save Me, a 2019 album by Sugaray Rayford "Somebody Save Me", a song by Krypteria from their 2007 album Bloodangel's Cry
The band Remy Zero, whose single "Save Me" is the opening theme for the show, was asked to perform for the episode. The band quickly learned that filming a live performance for a television show is not as straight forward as its sounds. In order to be able to film everything, Beeman could not have the band playing full volume throughout the scene.
Eminem opened the 2024 MTV Video Music Awards by sourcing inspiration from himself, referencing his 2000 performance at the show. Just like he did in 2000, the rapper led a massive crew of ...
Otherwise, their platinum dreams are going to turn into pumpkins". [7] AllMusic reviewer Steve Huey called it "not bad, just generic". [5] Canadian journalist Martin Popoff put on a par Cinderella's rise to prominence with Poison's success, judging them as "little more than vacant, colourful but life-affirming [Mötley] Crüe derivatives." He ...