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  2. Costumes in commedia dell'arte - Wikipedia

    en.wikipedia.org/wiki/Costumes_in_Commedia_dell'Arte

    Pierrot had loose white clothing, with a large matching collar. He painted his face white instead of wearing a mask. [4] Pedrolino's costume was essentially like Pierrot's—white, big buttons, short hat, and white face—but it was way too big for him, and the sleeves covered his hands, to emphasize that Pedrolino was a little person in hand ...

  3. Harlequinade - Wikipedia

    en.wikipedia.org/wiki/Harlequinade

    The story of the Harlequinade revolves around a comic incident in the lives of its five main characters: Harlequin, who loves Columbine; Columbine's greedy and foolish father Pantaloon (evolved from the character Pantalone), who tries to separate the lovers in league with the mischievous Clown; and the servant, Pierrot, usually involving ...

  4. Harlequin print - Wikipedia

    en.wikipedia.org/wiki/Harlequin_print

    Tammis Keefe, a cloth designer whose patterns appeared at Lord and Taylor in September 1952, used a harlequin print diamond pattern on a large cloth she crafted for a table setting show. [5] In a July 1954 article in the Washington Post, columnist Olga Curtis mentioned harlequin print fabrics and cellophane as very novel ideas in accessories. [6]

  5. Pierrot - Wikipedia

    en.wikipedia.org/wiki/Pierrot

    In Germany, Frank Wedekind introduced the femme-fatale of his first "Lulu" play, Earth Spirit (1895), in a Pierrot costume. In a similar spirit, the painter Paul Hoecker put cheeky young men into Pierrot costumes to ape their complacent burgher elders in Pierrots with Pipes (c. 1900) and swilling champagne in Waiting Woman (c. 1895).

  6. Natasha Korniloff - Wikipedia

    en.wikipedia.org/wiki/Natasha_Korniloff

    Natasha Korniloff was a folk singer and costume designer [1] [2] when during the winter of 1967-1968 [3] she met David Bowie in the entourage of Lindsay Kemp.She was in charge of the costume design for Kemp and Bowie's play, Pierrot in Turquoise or The Looking Glass Murders, [4] and in particular designed for Bowie a “blue cloud” outfit. [3]

  7. Cultural references to Pierrot - Wikipedia

    en.wikipedia.org/wiki/Cultural_references_to_Pierrot

    Cultural references to Pierrot have been made since the inception of the character in the 17th century. His character in contemporary popular culture — in poetry, fiction, and the visual arts, as well as works for the stage, screen, and concert hall — is that of the sad clown, often pining for love of Columbine, who usually breaks his heart and leaves him for Harlequin.