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Typically, the term "soprano" refers to female singers but at times the term "male soprano" has been used by men who sing in the soprano vocal range using falsetto vocal production instead of the modal voice. This practice is most commonly found in the context of choral music in England. However, these men are more commonly referred to as ...
A decisive role in Mariño's career was played by American soprano Barbara Bonney who became a crucial teacher and mentor guiding Mariño to embrace and develop his natural soprano voice. [1] In 2017, he received the Interpretation Award at the Opéra de Marseille International Singing Competition and won the Neue Stimmen Audience Prize. [2]
His repertoire extends from Renaissance to contemporary music, but he focuses on the Italian baroque opera of the 18th and early 19th century. His recordings between the mid 1990s and 2017 are of importance for the rediscovery of the vocal music from the early Baroque to the Classical period.
Radu Marian (Romanian pronunciation: [ˈradu mariˈan]; born 1977) is a Moldovan male soprano ().. He possesses a pure soprano voice in the range of C4 to C6, and he is considered an important singer in Baroque music.
Michael Maniaci (born May 3, 1976) is an American opera singer. Possessing a male soprano voice, Maniaci is noted for his claim to be able to sing into the upper soprano range without resorting to falsetto, an otherwise common phonation for men who sing in high registers, such as countertenors.
A male can retain his child voice if it never changes during puberty. The retained voice can be the treble voice shared by both sexes in childhood and is the same as a boy soprano voice. But as evidence shows, many castrati, such as Senesino and Caffarelli, were actually altos (mezzo-soprano) – not sopranos.
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Tomotaka Okamoto was born December 3, 1976, in Sukumo, Japan, and graduated from the Kunitachi College of Music. [1] He also graduated from the Conservatoire Francis Poulenc with a first place award. [2] His debut album Sopranista charted for 17 weeks on the Oricon Albums Chart, peaking at number 100. [3]