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The Joy that Kills is a 1985 American made-for-television film adaptation of Kate Chopin's 1894 short story "The Story of an Hour." It was directed by Tina Rathborne and co-written by Rathborne and Nancy Dyer. [1] It was broadcast on the PBS television program American Playhouse on January 28, 1985. [2]
"The Story of an Hour" is a short story written by Kate Chopin on April 19, 1894. It was originally published in Vogue on December 6, 1894, as " The Dream of an Hour ". It was later reprinted in St. Louis Life on January 5, 1895, as "The Story of an Hour".
The film is notable for the catchphrase "Go ahead, make my day", written by John Milius and uttered by Clint Eastwood's gun-wielding character in the beginning of the film as he stares down an armed robber who is holding a hostage. This is the last Dirty Harry film to feature Albert Popwell.
The Hours is a 2002 psychological period-drama film directed by Stephen Daldry, from a screenplay by David Hare based on Michael Cunningham's 1998 novel.It stars Nicole Kidman, Julianne Moore and Meryl Streep as three women whose lives are connected by Virginia Woolf's 1925 novel Mrs Dalloway.
This story was originally published in 2023 when Woman of the Hour premiered at the Toronto International Film Festival.We are republishing it as the movie hits Netflix on Oct. 18, 2024. There are ...
Based on the true story of murderer Rodney Alcala, Woman of the Hour, which hit Netflix on Friday, October 18, explores the notorious serial killer and sex offender who found his next potential ...
Since releasing on Friday, "Woman of the Hour" has peaked at No. 2 on Netflix's weekly Top 10 list of the most-watched films, with 9.9 million views during its first week of availability.
Impact is a 1949 American film noir drama film starring Brian Donlevy and Ella Raines. Directed by Arthur Lubin, it was shot entirely in Northern California, including scenes in Sausalito at Larkspur in Marin County, on Nob Hill in San Francisco, and throughout the Bay area. The screenplay was based on a story by film noir writer Jay Dratler.