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The Carter Family was a traditional American folk music group that recorded between 1927 and 1956. Their music had a profound impact on bluegrass, country, Southern Gospel, pop and rock musicians. They were the first vocal group to become country music stars; a beginning of the divergence of country music from traditional folk music.
Traditional folk music has been defined in several ways: as music transmitted orally, music with unknown composers, music that is played on traditional instruments, music about cultural or national identity, music that changes between generations (folk process), music associated with a people's folklore, or music performed by custom over a long ...
These styles included jug bands, honky tonk and bluegrass, and are the root of modern country music. Appalachian folk music began its evolution towards pop-country in 1927, when Jimmie Rodgers and the Carter Family began recording in a historic session with Ralph Peer (Barraclough and Wolff, 537). Rodgers sang often morbid lyrical themes that ...
Folk music [1] is one of the major divisions of music, now often divided into traditional folk music and contemporary folk music.There are many styles of folk music, all of which can be classified into various traditions, generally based around some combination of ethnic, religious, tribal, political or geographic boundaries.
Regional and national music with no significant commercial impact abroad, except when it is a version of an international genre, such as: traditional music, oral traditions, sea shanties, work songs, nursery rhymes, Arabesque and indigenous music.
America's Musical Life: A History. New York: W. W. Norton & Company. ISBN 0-393-04810-1. Darden, Robert (2004). People Get Ready: A New History of Black Gospel Music. New York: Continuum International Publishing Group. ISBN 0-8264-1436-2. Fussell, Fred C. (2003). Blue Ridge Music Trails: Finding a Place in the Circle. North Carolina Folklife ...
Stylistically, it resembles other vaudeville music of the era, but it borrows a poetic and melodic form from African-American folk music, as well as elements of unrelated "field-holler" vocal practices. More than its traditional predecessors, this mixture would come to define and epitomize the blues for later generations.
Music in History: The Evolution of an Art. New York: American Book Company. Ritchie, Fiona (2004). The NPR Curious Listener's Guide to Celtic Music. New York: Berkley Publishing Group. ISBN 978-0-399-53071-5. Nettl, Bruno (1965). Folk and Traditional Music of the Western Continents. Englewood Cliffs, New Jersey: Prentice Hall. OCLC 265458368.