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A cappella music was originally used in religious music, especially church music as well as anasheed and zemirot. Gregorian chant is an example of a cappella singing, as is the majority of secular vocal music from the Renaissance .
The Sixteen (Harry Christophers): mostly a cappella music of the Renaissance, with baroque orchestra for Handel; Solistes de Musique Ancienne: baroque orchestra and choir; Sounds Baroque (Julian Perkins): period instrument ensemble; Stile Antico: early music vocal ensemble; Tallis Scholars (Peter Phillips): a cappella Renaissance music
One of the most pronounced features of early Renaissance European art music was the increasing reliance on the interval of the third and its inversion, the sixth (in the Middle Ages, thirds and sixths had been considered dissonances, and only perfect intervals were treated as consonances: the perfect fourth the perfect fifth, the octave, and the unison).
The collection consists of mostly four-voice sacred a cappella choral music (though there are some 3- and 5-voice pieces). The music is arranged liturgically, and groups of similar pieces are also arranged by the seniority of the composer. [2] It contains the following pieces: [2] [3]
Robert Carver CRSA (also Carvor, Arnot; [1] c. 1485 – c. 1570) was a Scottish Canon regular and composer of Christian sacred music during the Renaissance. Carver is regarded as Scotland's greatest composer of the 16th century. He is best known for his polyphonic choral music, of which there are five surviving masses and two surviving motets.
Carlo Gesualdo's Madrigal. Festival de Música Coral Renascentista is a festival of chorus music performing a cappella Renaissance compositions. It takes place at the Minor Basilica of Our Lady of Sorrows in Porto Alegre, Brazil.