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These consoles, often referred to as air-boards are apt to have many fewer controls than mixers designed for live or studio production mixing, dropping pan/balance, EQ, and multi-bus monitoring/aux feed knobs in favor of cue and output bus selectors, since, in a radio studio, nearly all sources are prerecorded or pre-adjusted.
This was followed by the PP-1 film console, the MR-2, MR-3, and MR-4 music recording consoles, the TV-3, TV-4 broadcast consoles, the HM-5 live console, the Raven music recording console, and the Air-7/Pro-7 broadcast and production consoles. These fully-analog console designs continued into the 1990s, while the digital revolution was taking place.
Namco Super Pac-Man arcade system board [49] [51] Namco CUS30 1984 8 Namco Pac-Land, Namco Thunder Ceptor, System 86 and Namco System 1 arcade boards Similar to the earlier 15xx WSG, but capable of stereo sound. [49] Namco 163 (N163) 1987 8 Namco-produced Famicom games [52] Nintendo: VSU-VUE 1995 6 Virtual Boy portable console Silicon-gate CMOS ...
Through the years, BE also manufactured turntables, audio consoles, and program automation equipment which was the precursor to today’s automation systems for radio stations. [1] In 1977, BE relocated to Quincy, Illinois and it was there that BE began designing and manufacturing FM and AM transmitters. Initially the offering was for tube ...
RCA purchased, for $1,000,000, AT&Ts two radio stations, WEAF and WCAP in Washington, D.C., as well as its network operations. These assets formed the basis for the creation of the National Broadcasting Company (NBC), with ownership divided between RCA (50%), General Electric (30%), and Westinghouse (20%) until 1930, when RCA assumed 100% ...
E.H. Scott Radio Laboratories is sometimes confused with H.H. Scott. E.H. Scott was founded in 1925 by Chicago resident Ernest H. Scott. Its first product was the World's Record Super 8, a TRF (tuned radio frequency) design with typical harness wiring with 16 gauge silvered solid core copper wire employed in an array configuration that was typical to radios at the time. This construction ...
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The board operator or technical operator operates the technical controls—such as sound volume levels, recording software and switchboard. The producer can be in a separate control room separated from the radio studio by a window , which allowed visual contact while blocking noise .