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The Narmer Palette, also known as the Great Hierakonpolis Palette or the Palette of Narmer, is a significant Egyptian archaeological find, dating from about the 31st century BC, belonging, at least nominally, to the category of cosmetic palettes. It contains some of the earliest hieroglyphic inscriptions ever found.
[f] Of course, the Narmer Palette could represent an actual historical event while at the same time having a symbolic significance. In 1993, Günter Dreyer discovered a "year label" of Narmer at Abydos, depicting the same event that is depicted on the Narmer Palette. In the First Dynasty, years were identified by the name of the king and an ...
Narmer Palette "Turtle palette (no. 1)"-(Louvre) (See zoomorphic palette) Turtle Palette no. 2 [9] List of ancient Egyptian Predynastic palettes. Name Dimensions
The Cosmetic palette in the form of a Nile tortoise; The Narmer Palette, often thought to depict the unification of Upper and Lower Egypt under the pharaoh Narmer, Egyptian Museum, Cairo; Libyan Palette, Egyptian Museum, Cairo; The Four Dogs Palette, displaying African wild dogs, [1] giraffes, and other quadrupeds, Louvre
The Narmer Palette, thought to mark the unification of Upper and Lower Egypt; note the images of the goddess Bat at the top, as well as the serpopards that form the central intertwined image. Naqada III is the last phase of the Naqada culture of ancient Egyptian prehistory, dating from approximately 3200 to 3000 BC. [2]
Ancient Egyptian tradition credited Menes, now believed to be the same as Narmer, as the king who united Upper and Lower Egypt. On the Narmer Palette, the king is depicted wearing the Red Crown on one scene and the White crown in another, and thereby showing his rule over both Lands. [4]
The Narmer macehead (right) at time of discovery, Hierakonpolis. On the center part of the macehead, behind the throne with the seated king, there is a figure just like the supposed sandal-bearer from the Narmer palette, likewise with the rosette sign above its head. He is followed by a man carrying a long pole.
Although the Narmer Palette is more famous because it shows the first king to wear both the crowns of Upper and Lower Egypt, the Scorpion Macehead indicates some early military hostility with the north by showing dead lapwings, the symbol of Lower Egypt, hung from standards. [13] John Garstang excavated at Nekhen in 1905–06.