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Bomba Dance in Guaynabo, Puerto Rico. Bomba was developed in Puerto Rico during the early European colonial period. The first documentation of bomba dates back to 1797: botanist André Pierre Ledru described his impressions of local inhabitants dancing and singing popular bombas in Voyage aux îles de Ténériffe, la Trinité, Saint-Thomas, Sainte-Croix et Porto Ricco.
Iris Belia Chacón Tapia (born March 7, 1950) is a Puerto Rican dancer, singer, actress, and entertainer. [1]Known as "La Bomba de Puerto Rico" and "La Vedette de América," Chacón was a prominent figure in Latin America, the United States, Europe, and Japan during the 1970s and early 1980s.
The Festival de Bomba y Plena de San Antón (English: San Anton's Bomba and Plena Festival), is an annual celebration held in Ponce, Puerto Rico, as an extravaganza celebration of Bomba and Plena music genres and the traditions of Ponce's barrio San Antón. The celebration lasts 10 days and it ends on a Sunday.
In 1977, Modesto Cepeda, son of Rafael, founded the Rafael Cepeda Atiles School of Bomba and Plena which is located at Calle Union #71, sector Playita de Villa Palmeras in Santurce, San Juan, Puerto Rico. [6] The school teaches the youth of Puerto Rico the fundamentals of the traditional dances. Cepeda's wife Caridad died on February 25, 1994.
Margarita "Tata" Cepeda (born 1945) is a Puerto Rican dancer, singer, teacher, and cultural icon known for her lifelong dedication to preserving and promoting the traditional Afro-Puerto Rican music and dance forms of bomba and plena. Affectionately nicknamed "La Mariposa de la Bomba" (The Butterfly of Bomba), Cepeda is celebrated for her ...
The plena genre originated in Barrio San Antón, Ponce, Puerto Rico, [3] [4] around 1900. [5] It was influenced by the bomba style of music. [citation needed] Originally, sung texts were not associated with the plena, which was rendered by guitar, accordion and pandero, but eventually, in 1907, [citation needed] singing was added.
Rafael Ithier and other bandmates went on to found Puerto Rico's salsa group, "El Gran Combo". [ 11 ] In 1973 Cortijo happened to meet the pianist working at WKDM radio in New York, Pepe Castillo, who provided ideas for arrangements that Cortijo would use in his final album, His Time Machine y su Máquina del Tiempo.
Los Pleneros 21 was founded by percussionist and educator Juan Gutiérrez, a native of Santurce, Puerto Rico. [2] When Gutiérrez (b 1951) arrived in New York in 1976 to study percussion at the Manhattan School of Music, [3] salsa was the dominant form of popular Latin Music. [4]