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Now, however, only a handful of these storytellers remain at such places, "captivating audiences with tales and stories of love and death, trickery and justice", and the art is in decline. [2] In 2008, the United Nations agency UNESCO recognized Jemaa el-Fnaa as the first "Masterpiece of the Oral and Intangible Heritage of Humanity."
Aicha Kandicha (Moroccan Arabic: عيشة قنديشة, romanized: ʿayša qəndiša, referred to in some works as Qandisa) is a female mythological figure in Moroccan folklore. [ 1 ] [ 2 ] [ 3 ] One of a number of folkloric characters who are similar to jinn but have distinct personalities, she is typically depicted as a beautiful young woman ...
Nadia Essalmi, founder of the Yomad publishing house, is known for her contributions to the promotion of Moroccan stories for young adults and children. Since their beginnings in 1998, Yomad have published about 100 books for children and young readers in French, Arabic and the official Berber language Tamazight at affordable prices. [87]
Abd el-Ouahed ben Messaoud, 16th-century Moroccan diplomat and ambassador to Elizabeth I of England; possible inspiration for Shakespeare's Othello character; Ahmad ibn Qasim Al-Hajarī, prominent 16th-century Morisco who escaped the Spanish Inquisition and worked as an ambassador for Morocco; Mohamed Abdelaziz, president of the Polisario Front
Print/export Download as PDF; Printable version; In other projects ... Pages in category "Moroccan storytellers" The following 7 pages are in this category, out of 7 ...
Similar stories are found in later works including Aesop's Fables and the Sindbad tales in Arabian Nights. [4] Aesop's Fables: Aesop: c. 600 BC [5] [6] Kathasaritsagara: Somadeva: 11th Century AD: Collection of Indian legends, fairy tales and folk tales as retold by a Saivite Brahmin named Somadeva.
Abdallah Zrika (Arabic: عبدالله زريقة; born 1953 in Casablanca, Morocco) is one of the most famous poets of Morocco. [1] His poetry is set in free verse, based on spoken language and unrivalled in contemporary Arabic literature in its spontaneity. For the Moroccan youth of the politically and socially repressive years of the 1970s ...
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