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During the weaving, the wool was knotted in. [3] The pile side of the rya had a soft sheen that resembled fur and was placed facing the body just like the fur skins were used previously. [3] The pattern of the flat surface of other side was given less attention, and was the part on which the owner worked in their initials into the striped ...
In Turkmen weavings, such as bags and rugs, guls are often repeated to form the basic pattern in the main field (excluding the border). [4] [5]The different Turkmen tribes such as Tekke, Salor, Ersari and Yomut traditionally wove a variety of guls, some of ancient design, but gul designs were often used by more than one tribe, and by non-Turkmens.
Hori carpets are of looser weave and inferior quality and as such, are generally widely affordable. The sizes vary from narrow hall carpets to large room designs, often up to 4 m × 5 m. The larger rugs tend to be very rare and harder to come by. Similarly, older rugs, often coveted by collectors, can be extremely costly.
Excerpt of a shawl talim (1882). Talim (Kashmiri: تعليم, Kashmiri pronunciation: [t̪əːliːm], Urdu: تَعْلِیم, Arabic: تعليم, pronounced ⓘ) in textiles is a symbolic code and system of notation that facilitates the creation of intricate patterns in fabrics, such as shawls and carpets, [1] and the written coded plans that include colour schemes and weaving instructions.
The name 'soumak' may plausibly derive from the old town of Shemakja in Azerbaijan, once a major trading centre in the Eastern Caucasus. [1] Other theories include an etymology from Turkish 'sekmek', 'to skip up and down', meaning the process of weaving; or from any of about 35 species of flowering plant in the Anacardiaceae or sumac family, such as dyer's sumach (Cotinus coggygria), used to ...
The wrapping threads give these rugs additional thickness and strength. Kilim in contrast are woven flat, using only warp and weft threads. Kilim patterns are created by winding the weft threads, which are coloured, backwards and forwards around pairs of warp threads, leaving the resulting weave completely flat.
Different types of carpets were made here, including pile and flat-weave, with simple and complex composition. The carpet making art was passed on from generation to generation and was considered the most valued heirloom. The traditional topics for the Tabriz carpets are the ornamental patterns, with the following dominant background colors ...
During the British colonial era, prison weaving was established in district and female jails in cities such as Lahore and Karachi. Carpet-weaving outside of jails was revived after the independence when Pakistan's carpet-weaving industry flourished. [3] At present, Pakistani rug is one of the country's leading export products.