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"Ach, wie ist's möglich dann" also known as "Treue Liebe" (True/Loyal Love), and “How Can I Leave Thee” is a German now-traditional song.Friedrich Wilhelm Kücken (1810–1882), a German composer and conductor, claimed to have composed the tune, and that it was later modified "probably by Silcher" ("wahrscheinlich von Silcher her") and given the general name Thüringer Volkslied ...
"Earache My Eye" is a comedy routine and song by Cheech and Chong from their 1974 album Cheech & Chong's Wedding Album. The skit is about a teenager (played by Tommy Chong) who wakes up and listens to a song by "Alice Bowie" (Cheech Marin), while his father (also played by Marin) yells at him to get ready for school.
Locked hands style is a technique of chord voicing for the piano. Popularized by the jazz pianist George Shearing, it is a way to implement the "block chord" method of harmony on a keyboard instrument. The locked hands technique requires the pianist to play the melody using both hands in unison.
Sign singing or Karaoke signing is singing using sign language. Typically a song is played, and the performer expressively performs a sign language version of the lyrics. Whereas vocal singing uses pitch and tone to convey expressions, sign singing relies on the performer's hands, body, and facial expressions. [1] [2]
The limitations of the ukulele causes the orchestra to think creatively about how to cover a musical piece, popular tunes are broken down to their constituent parts and then with each musician sticking a distinct part, the combination of different soprano, tenor, baritone and bass registers of ukuleles are used (with separate members playing ...
Common chords are frequently used in modulations, in a type of modulation known as common chord modulation or diatonic pivot chord modulation. It moves from the original key to the destination key (usually a closely related key) by way of a chord both keys share. For example, G major and D major have 4 chords in common: G, Bm, D, Em.
Both duets are set as a chorale fantasia, combining a stanza from a hymn, sung by the soprano as the cantus firmus, with original poetry set in counterpoint. Both stanzas are sung to the same melody, but come from different hymns, Martin Moller's "Ach Gott, wie manches Herzeleid ", [3] and Martin Behm's "Herr Jesu Christ, meins Lebens Licht ".
Ach Gott, wie manches Herzeleid (Oh God, how much heartache), [1] BWV 3, is a church cantata by Johann Sebastian Bach. He composed it in Leipzig for the second Sunday after Epiphany and first performed it on 14 January 1725. It is based on the hymn of the same name published by Martin Moller in 1587.