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B minor is a minor scale based on B, ... (1739–1791) regarded B minor as a key expressing a quiet acceptance of fate and very gentle complaint, ...
List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual ; 15 equal temperament
Since the natural minor scale is built on the 6th degree of the major scale, the tonic of the relative minor is a major sixth above the tonic of the major scale. For instance, B minor is the relative minor of D major because the note B is a major sixth above D. As a result, the key signatures of B minor and D major both have two sharps (F ...
Major and minor third in a major chord: major third 'M' on bottom, minor third 'm' on top. Major and minor may also refer to scales and chords that contain a major third or a minor third, respectively. A major scale is a scale in which the third scale degree (the mediant) is a major third above the tonic note.
The tonic of the relative minor is the sixth scale degree of the major scale, while the tonic of the relative major is the third degree of the minor scale. [1] The minor key starts three semitones below its relative major; for example, A minor is three semitones below its relative, C major. Circle of fifths showing major and minor keys
The Phrygian dominant scale (a mode of the harmonic minor scale) The Arabic scales; The Hungarian minor scale; The Byzantine music scales (called echoi) The Persian scale; Scales such as the pentatonic scale may be considered gapped relative to the diatonic scale. An auxiliary scale is a scale other than the
In the key of C major, these would be: D minor, E minor, F major, G major, A minor, and C minor. Despite being three sharps or flats away from the original key in the circle of fifths, parallel keys are also considered as closely related keys as the tonal center is the same, and this makes this key have an affinity with the original key.
Baroque music written in minor keys often was written with a key signature with fewer flats than we now associate with their keys; for example, movements in C minor often had only two flats (because the A ♭ would frequently have to be sharpened to A ♮ in the ascending melodic minor scale, as would the B ♭).