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In Jewish mythology, a dybbuk (/ ˈ d ɪ b ə k /; Yiddish: דיבוק, from the Hebrew verb דָּבַק dāḇaq meaning 'adhere' or 'cling') is a malicious possessing spirit believed to be the dislocated soul of a dead person. [1] It supposedly leaves the host body once it has accomplished its goal, sometimes after being exorcised. [2 ...
Malicious compliance is common in production situations in which employees and middle management are measured based on meeting certain quotas or performance projections. Examples include: Employees at a factory shipping product to customers too early so their inventory is reduced to meet a projection; [ 8 ]
Rangila Rasul was published in May 1924 [4] and its copies sold out in a matter of a few weeks. [19]Originally published in Urdu [1] and later translated into Hindi, it was written by a member of the Hindu reformist Arya Samaj sect [20] by the name of Pandit Chamupati [21] (or Champovati).
Ẓulm (ظلم, Ẓulm) is the Arabic word used interchangeably for cruelty or unjust acts of exploitation, oppression, and wrongdoing, whereby a person either deprives others of their rights or does not fulfill his obligations towards them. It is used in Urdu and Hindi in the same sense.
Random House Unabridged Dictionary defines such a character as "a cruelly malicious person who is involved in or devoted to wickedness or crime; scoundrel; or a character in a play, novel, or the like, who constitutes an important evil agency in the plot".
A threat actor, bad actor or malicious actor is either a person or a group of people that take part in an action that is intended to cause harm to the cyber realm including: computers, devices, systems, or networks. [1]
This version of the rakshasa was heavily inspired by an episode of Kolchak: The Night Stalker [30] entitled "Horror in the Heights," which aired on December 20, 1974. [citation needed] Rakshasa appears in the Unicorn: Warriors Eternal episode "Darkness Before Dawn". He is a humanoid tiger similar to the D&D depiction.
In a 2004 review of the film's DVD release, John Beifuss of The Commercial Appeal called the film "arguably the find of the year, for cult movie fans", writing: "A mind-bending fusion of Hammer-style vampirism with the exotic song-and-dance numbers that are all but mandatory for movies made in Pakistan and India, [Zinda Laash] is both derivative and innovative, campy and scary."