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Chimney jambs similarly project from the wall, but they do so on either side of the fireplace and serve to support the chimney breast. [3] The interior of a chimney breast is commonly filled with brickwork or concrete. [4] The construction and appearance of a chimney breast can vary according to function and style. English and American builders ...
The living room got a unique folded chimney breast designed by artist Brian Robles and clad in copper plaster—proof you don't need to rely on brick alone for a homey hearth. Stephen Kent Johnson ...
The English chimneypieces of the early seventeenth century, when the purer Italian style was introduced by Inigo Jones, were extremely simple in design, sometimes consisting only of the ordinary mantel piece, with classic architraves and shelf, the upper part of the chimney breast being paneled like the rest of the room.
Chimney breast c. 1552 - Château, Écouen The chimney breast was realized by the workshop of Niccolò dell' Abbate. It features figures, putti, flowers, fruit, and symbols (among them the sword symbolizing the constable's office) in trompe-l'oeil painting.
Back (fireback)—The inside, rear wall of the fireplace of masonry or metal that reflects heat into the room. [21] Brick trimmer—A brick arch supporting a hearth or shielding a joist in front of a fireplace. [21] Chimney breast—The part of the chimney which projects into a room to accommodate a fireplace. [21]
The brick chimney was a prominent feature in Victorian homes, consisting of a fireplace, chimney breast and chimney stack that protruded above the roof line to exhaust smoke. [4] Victorian houses were generally built in terraces or as detached houses. Building materials were brick or local stone.
The upper parts of the walls taper in towards the room as they reach the ceiling. Chimney breasts are found in two of the early rooms, and towards the ceiling these taper outward. Remnants of early wall paper survive in several of the rooms, and efforts have been made by the present owners to repaper one of the rooms with a reconstructed paper. [1]
Facing the second floor landing is a full-length fireplace of dark green glazed brick, rimmed with studded iron bands and with bead-and-reel and egg-and-dart moldings at the ceiling. In the chimney breast is a niche, also rimmed with studded iron bands, and the lining of the fireplace is cast iron in a pattern of interwoven bands.