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  2. Xuan paper - Wikipedia

    en.wikipedia.org/wiki/Xuan_paper

    Xuan paper, Shuen paper, or rice paper, is a kind of paper originating in ancient China used for writing and painting. Xuan paper is renowned for being soft and fine-textured, suitable for conveying the artistic expression of both Chinese calligraphy and painting .

  3. Freehand brush work - Wikipedia

    en.wikipedia.org/wiki/Freehand_brush_work

    Freehand brush work is a genre of Chinese traditional painting which includes poem, calligraphy, painting and seal. In Chinese called Hsieh yi (traditional Chinese: 寫意; simplified Chinese: 写意; pinyin: Xiěyì), which literally means "writing ideas". [1] It was formed in a long period of artistic activities and promoted by the literati.

  4. Ink brush - Wikipedia

    en.wikipedia.org/wiki/Ink_brush

    A Chinese writing brush (traditional Chinese: 毛筆; simplified Chinese: 毛笔; pinyin: máo bǐ) is a paintbrush used as a writing tool in Chinese calligraphy as well as in Japanese, Korean, and Vietnamese which all have roots in Chinese calligraphy. They are also used in Chinese painting and other brush painting styles.

  5. Xuan writing brush - Wikipedia

    en.wikipedia.org/wiki/Xuan_writing_brush

    Xuan writing brush or Xuanbi (simplified Chinese: 宣笔; traditional Chinese: 宣筆; pinyin: Xuān Bǐ), is a type of ink brush made in Anhui Province, China. Xuan brushes are often used and mentioned together with Xuan paper , a kind of writing rice-paper.

  6. Traditional Chinese bookbinding - Wikipedia

    en.wikipedia.org/wiki/Traditional_Chinese...

    The paper used as the leaves is usually xuan paper (宣紙). This is an absorbent paper used in traditional Chinese calligraphy and painting. Stronger and better quality papers may be used for more detailed works that involve multicoloured woodblock printing. The covers tend to be a stronger type of paper which is dyed dark blue.

  7. Ink wash painting - Wikipedia

    en.wikipedia.org/wiki/Ink_wash_painting

    Ink on Xuan paper. Height: 156.8 cm (61.7 in); width: 356 cm (140 in). 16th century, Japan. The painting has been designated as a National Treasure. East Asian writing on aesthetics is generally consistent in saying that the goal of ink and wash painting is not simply to reproduce the appearance of the subject, but to capture its spirit.