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Tales of the Vienna Waltz - 4:04 (All music composed by Johann Strauss II) On the Beautiful Blue Danube Waltz, Op. 314; Die Fledermaus Overture; Roses From the South Waltz, Op. 388; On the Beautiful Blue Danube Waltz, Op. 314; Vienna Blood Waltz, Op. 354; On the Beautiful Blue Danube Waltz, Op. 314; Artists' Life Waltz, Op. 316
A section from Johann Strauss' Waltz from Die Fledermaus. A waltz, [a] probably deriving from German Ländler, is dance music in triple meter, often written in 3 4 time.A waltz typically sounds one chord per measure, and the accompaniment style particularly associated with the waltz is (as seen in the example to the right) to play the root of the chord on the first beat, the upper notes on the ...
The waltz (from German Walzer ⓘ, meaning "to roll or revolve") [1] is a ballroom and folk dance, in triple (3 4 time), performed primarily in closed position. Along with the ländler and allemande, the waltz was sometimes referred to by the generic term German Dance in publications during the late 18th and early 19th centuries. [2]
Of the encores, the unannounced first encore is often a fast polka. The second is Johann Strauss II's waltz "The Blue Danube", whose introduction is interrupted by light applause of recognition and a New Year's greeting in German (originally added by Willi Boskovsky) from the conductor and orchestra to the audience. The origin of this tradition ...
The first waltz theme is a familiar gently rising triad motif played by cellos and horns in the tonic (D major), accompanied by the harp; the Viennese waltz beat is accentuated at the end of each 3-note phrase. The Waltz 1A triumphantly ends its rounds of the motif, and waltz 1B follows in the same key; the genial mood is still apparent.
The three waltz episodes are surrounded by slower music forming an introduction, interludes, and a coda; this slower music, too, sometimes alludes to Rosenkavalier." Stucky continued: But in Dreamwaltzes the past proves elusive; the waltz music is always slipping away almost as soon as it has begun. The point is clearest in the crucial third ...
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