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For much of the 20th century, the Hill workshop employed England's best bow makers, who created bows renowned for character and consistency. Hill violins, cellos and cases are also highly regarded. Their other products included varnish cleaner, violin e-strings, rosin, peg paste, music stands, chinrests, and specialist tools.
Hill began making violins and studying violin varnish in 1978. After five years of experimentation, he developed a varnish made from wood ashes, water (to convert the ash to lye), linseed oil, and rosin. In 1994 he published his findings in an article in the Guild of American Luthiers Journal (#37) titled: "Ash Violin Varnish." Further research ...
Joseph Hill (1715–1784) was a well-known violin maker working in London. He apprenticed in the workshop of Peter Wamsley and produced fine violins, typically following the style of the Amatis . He was the first of many great London-based makers in the Hill family, including the firm W. E. Hill & Sons .
Rosin (/ ˈ r ɒ z ɪ n /), also known as colophony or Greek pitch (Latin: pix graeca), is a resinous material obtained from pine trees and other plants, mostly conifers.The primary components of rosin are diterpenoids, i.e., C 20 carboxylic acids.
William Ebsworth Hill (1817–1895) was a London violin maker and founder of the firm W. E. Hill & Sons.. The son of the violin maker Henry Lockey Hill, he came from a long tradition of violin makers, going back to his great-grandfather Joseph Hill.
A cello bow. In music, a bow (/ b oʊ /) is a tensioned stick which has hair (usually horse-tail hair) coated in rosin (to facilitate friction) affixed to it.It is moved across some part (generally some type of strings) of a musical instrument to cause vibration, which the instrument emits as sound.
The outer contour of a new violin, one of the more important aspects of the instrument, is designed by the violin maker, and in the 2020s, the outlines of the old masters' violins are usually used. Different methods of violin making include using an inside mould, an outside mould, or building "on the back" without a mould.
The main cause is a type-I hypersensitivity reaction to products containing abietic acid, such as the rosin/colophony, which is commonly used as a friction-increasing agent. Players of bowed string instruments (violin, viola, cello, double bass) rub cakes or blocks of rosin on their bow so it can grip the strings.