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  2. Sample-rate conversion - Wikipedia

    en.wikipedia.org/wiki/Sample-rate_conversion

    Audio on Compact Disc has a sampling rate of 44.1 kHz; to transfer it to a digital medium that uses 48 kHz, method 1 above can be used with L = 160, M = 147 (since 48000/44100 = 160/147). [5] For the reverse conversion, the values of L and M are swapped. Per above, in both cases, the low-pass filter should be set to 22.05 kHz.

  3. High-resolution audio - Wikipedia

    en.wikipedia.org/wiki/High-resolution_audio

    High-resolution audio (high-definition audio or HD audio) is a term for audio files with greater than 44.1 kHz sample rate or higher than 16-bit audio bit depth. It commonly refers to 96 or 192 kHz sample rates. However, 44.1 kHz/24-bit, 48 kHz/24-bit and 88.2 kHz/24-bit recordings also exist that are labeled HD audio.

  4. Enhanced Voice Services - Wikipedia

    en.wikipedia.org/wiki/Enhanced_Voice_Services

    Enhanced Voice Services (EVS) is a superwideband speech audio coding standard that was developed for VoLTE and VoNR. It offers up to 20 kHz audio bandwidth and has high robustness to delay jitter and packet losses due to its channel aware coding [1] and improved packet loss concealment. [2] It has been developed in 3GPP and is described in 3GPP ...

  5. Audio bit depth - Wikipedia

    en.wikipedia.org/wiki/Audio_bit_depth

    Bit depth affects bit rate and file size. Bits are the basic unit of data used in computing and digital communications. Bit rate refers to the amount of data, specifically bits, transmitted or received per second. In MP3 and other lossy compressed audio formats, bit rate

  6. Adaptive Multi-Rate Wideband - Wikipedia

    en.wikipedia.org/wiki/Adaptive_Multi-Rate_Wideband

    The lowest bit rate providing excellent speech quality in a clean environment is 12.65 kbit/s. Higher bit rates are useful in background noise conditions and for music. Also, lower bit rates of 6.60 and 8.85 kbit/s provide reasonable quality, especially when compared to narrow-band codecs.

  7. Opus (audio format) - Wikipedia

    en.wikipedia.org/wiki/Opus_(audio_format)

    Possible bitrate and latency combinations compared with other audio formats. Opus supports constant and variable bitrate encoding from 6 kbit/s to 510 kbit/s (or up to 256 kbit/s per channel for multi-channel tracks), frame sizes from 2.5 ms to 60 ms, and five sampling rates from 8 kHz (with 4 kHz bandwidth) to 48 kHz (with 20 kHz bandwidth, the human hearing range).

  8. Advanced Audio Coding - Wikipedia

    en.wikipedia.org/wiki/Advanced_Audio_Coding

    Advanced Audio Coding (AAC) is an audio coding standard for lossy digital audio compression.It was designed to be the successor of the MP3 format and generally achieves higher sound quality than MP3 at the same bit rate.

  9. G.722 - Wikipedia

    en.wikipedia.org/wiki/G.722

    G.722 is an ITU standard codec that provides 7 kHz wideband audio at data rates from 48, 56 and 64 kbit/s. This is useful for voice over IP applications, such as on a local area network where network bandwidth is readily available, and offers a significant improvement in speech quality over older narrowband codecs such as G.711, without an excessive increase in implementation complexity.