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The rhyme (and at least some of its variants) tells the story of an extremely beautiful girl (of Dutch descent, hence the song's title) who is popular with boys (particularly around the neighborhood, block or the whole town) and has a rather unattractive boyfriend; some versions mention that the boyfriend dumps the pretty Dutch girl in favor of an even prettier girl.
The phrase "to play bo peep" was in use from the 14th century to refer to the punishment of being stood in a pillory. For example, in 1364, an ale-wife, Alice Causton, was convicted of giving short measure, for which crime she had to "play bo peep thorowe a pillery". [5] Andrew Boorde uses the same phrase in 1542, " And evyll bakers, the which ...
Origins. Both rhymes were first printed separately in a Tom the Piper's Son, a chapbook produced around 1795 in London, England. [1] The origins of the shorter and better known rhyme are unknown. The second, longer rhyme was an adaptation of an existing verse which was current in England around the end of the seventeenth and beginning of the ...
The first complete recorded version of the rhyme appeared in 1805 in Songs for the Nursery as "To market, to market, to buy a penny bun," with no reference to a pig. [3] A common variation in the present day is: To market, to market, to buy a fat pig, Home again, home again, jiggety-jig. To market, to market, to buy a fat hog,
1656. "Matthew, Mark, Luke and John", also known as the "Black Paternoster", is an English children's bedtime prayer and nursery rhyme. It has a Roud Folk Song Index number of 1704. It may have origins in ancient Babylonian prayers and was being used in a Christian version in late Medieval Germany. The earliest extant version in English can be ...
The earliest recorded version of the rhyme appears in Thomas D'Urfey's play The Campaigners from 1698, where a nurse says to her charges: ...and pat a cake Bakers man, so I will master as I can, and prick it, and prick it, and prick it, and prick it, and prick it, and throw't into the Oven.
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