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"The Seven Last Words on the Cross and the Death of our Lord" . A Practical Commentary on Holy Scripture. B. Herder. Long, Simon Peter (1966). The Wounded Word: A Brief Meditation on the Seven Sayings of Christ on the Cross. Baker Books. Pink, Arthur (2005). The Seven Sayings of the Saviour on the Cross. Baker Books. ISBN 0-8010-6573-9.
The seven meditations on the Last Words are excerpted from all four gospels. The "Earthquake" movement derives from Matthew 27:51ff. Much of the work is consolatory, but the "Earthquake" brings a contrasting element of supernatural intervention—the orchestra is asked to play presto e con tutta la forza—and closes with the only fortississimo (triple forte) in the piece.
Daan Manneke: The Seven Last Words Oratorio for chamber choir (2011) Paul Carr: Seven Last Words from the Cross for soloist, choir and orchestra (2013) [9] Juan Jurado: Seven Words (2013) for mixed choir and four cellos. Rotting Christ: Ze Nigmar (2016) Richard Burchard: The Seven Last Words of Christ for choir, strings, and organ (2016) [10]
His best known work is the oratorio Les sept paroles du Christ ("The Seven Last Words of Christ" [1867]), which continues to be performed from time to time. His Toccata in G (1889), remains in the regular organ repertoire. The rest of his large output has almost entirely disappeared from view.
The preceding Introitus and closing Conclusio are the first and last stanzas of the hymn "Da Jesus an dem Kreuze stund", written by Johann Böschenstein (1472–1539). The hymn already contains a reflection on the Seven Words. [7] In the following text and translation, the intervening text of the Evangelists, also set to be sung, is not shown. [8]
The Seven Last Words of Christ No. 1: B ♭ major 1785–87 III:51 The Seven Last Words of Christ No. 2: C minor 1785–87 III:52 The Seven Last Words of Christ No. 3: E major 1785–87 III:53 The Seven Last Words of Christ No. 4: F major 1785–87 III:54 The Seven Last Words of Christ No. 5: A major 1785–87 III:55 The Seven Last Words of ...