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Self-portrait in a Convex Mirror. For the 1975 American poetry collection by John Ashbery, see Self-Portrait in a Convex Mirror (poetry collection). Self-portrait in a Convex Mirror (c. 1524) is a painting by the Italian late Renaissance artist Parmigianino. It is housed in the Kunsthistorisches Museum, Vienna, Austria.
RCIN 405551. Self-Portrait as the Allegory of Painting, also known as Autoritratto in veste di Pittura or simply La Pittura, was painted by the Italian Baroque artist Artemisia Gentileschi. The oil-on-canvas painting measures 98.6 by 75.2 centimetres (38.8 in × 29.6 in) and was probably produced during Gentileschi's stay in England between ...
The Hockney–Falco thesis is a controversial theory of art history, proposed by artist David Hockney in 1999 and further advanced with physicist Charles M. Falco since 2000 (together as well as individually). They argued that advances in naturalism and accuracy in the history of Western art since the early Renaissance (circa 1420/1430) were ...
A painting by Parmigianino in 1524 Self-portrait in a mirror, demonstrates the phenomenon. Mirrors permit surprising compositions like the Triple self-portrait by Johannes Gumpp (1646), or more recently that of Salvador Dalí shown from the back painting his wife, Gala (1972–73). This use of the mirror often results in right-handed painters ...
31.8 cm × 21.3 cm (12.5 in × 8.4 in) Hand with Reflecting Sphere, also known as Self-Portrait in Spherical Mirror, is a lithograph by Dutch artist M. C. Escher, first printed in January 1935. The piece depicts a hand holding a reflective sphere. In the reflection, most of the room around Escher can be seen, and the hand holding the sphere is ...
B18. Royal Collection, 1642. The dozens of self-portraits by Rembrandt were an important part of his oeuvre. Rembrandt created approaching one hundred self-portraits including over forty paintings, thirty-one etchings and about seven drawings; some remain uncertain as to the identity of either the subject (mostly etchings) or the artist (mostly ...
John Lawrence Ashbery[1] (July 28, 1927 – September 3, 2017) was an American poet and art critic. [2] Ashbery is considered the most influential American poet of his time. Oxford University literary critic John Bayley wrote that Ashbery "sounded, in poetry, the standard tones of the age." [3] Langdon Hammer, chair of the English Department at ...
Las Meninas, painted in 1656, shows Diego Velázquez working at the easel to the left.. Self-portraiture has a long history. In Reynolds & Peter's analysis, the handprints that prehistoric humanity left in cave paintings can be considered precursors of the self-portrait, as they are a direct document of the author's presence in the creative act and his perception of the existence of a "self".