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Geometric art in Greek pottery was contiguous with the late Dark Age and early Archaic Greece, which saw the rise of the Orientalizing period. The pottery produced in Archaic and Classical Greece included at first black-figure pottery, yet other styles emerged such as red-figure pottery and the white ground technique.
The Geometric age is usually dated from about 1000 BC, although in reality little is known about art in Greece during the preceding 200 years, traditionally known as the Greek Dark Ages. The 7th century BC witnessed the slow development of the Archaic style as exemplified by the black-figure style of vase painting.
Geometric art is a phase of Greek art, characterized largely by geometric motifs in vase painting, that flourished towards the end of the Greek Dark Ages and a little later, c. 1050–700 BC. Its center was in Athens, and from there the style spread among the trading cities of the Aegean. [1]
Maya ceramics. Painted Classic Period vase from Sacul in Guatemala. Maya ceramics are ceramics produced in the Pre-Columbian Maya culture of Mesoamerica. The vessels used different colors, sizes, and had varied purposes. Vessels for the elite could be painted with very detailed scenes, while utilitarian vessels were undecorated or much simpler.
Heracles and Geryon on an Attic black-figured amphora with a thick layer of transparent gloss, c. 540 BCE, now in the Munich State Collection of Antiquities.. Black-figure pottery painting, also known as the black-figure style or black-figure ceramic (Ancient Greek: μελανόμορφα, romanized: melanómorpha), is one of the styles of painting on antique Greek vases.
White-ground vases were produced, for example, in Ionia, Laconia and on the Cycladic islands, but only in Athens did it develop into a veritable separate style beside black-figure and red-figure vase painting. For that reason, the term "white-ground pottery" or "white-ground vase painting" is usually used in reference to the Attic material only.
Van Gogh's artistic transition reflected in his still lifes (1886–1887) Vase with Red Gladioli, 1886, Private collection (F247) This painting represents some of Van Gogh's early Paris still life, where he introduced brighter, contrasting color. Fritillaries in a Copper Vase, 1887, Musée d'Orsay, Paris (F213) This is an example of Van Gogh's ...
Paint-dipped pumpkins are some of the most simple patterns you can go with, and Erin of @erinspainblog nailed these to a tee. Mixing metallics and solid colors is always a good idea to add variety ...