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Totem poles and houses at ʼKsan, near Hazelton, British Columbia.. Totem poles serve as important illustrations of family lineage and the cultural heritage of the Indigenous peoples in the islands and coastal areas of North America's Pacific Northwest, especially British Columbia, Canada, and coastal areas of Washington and southeastern Alaska in the United States.
The term Pacific Northwest is largely used in the American context. At one point, the region had the highest population density of a region inhabited by Indigenous peoples in Canada. [1] [2] [3] Chief Anotklosh of the Taku Tribe of the Tlingit people, ca. 1913 Painting representing "Three Young Chinook Men" by George Catlin
Carving depicting a canoe with oarsman, bone inlay, Haida Gwaii, ca. 1850–1900, NMAI. Haida argillite carvings are a sculptural tradition among the Haida indigenous nation of the Northwest Coast of North America. It first became a widespread art form in the early 19th century, and continues today.
Totem poles, a type of Northwest Coast art. Northwest Coast art is the term commonly applied to a style of art created primarily by artists from Tlingit, Haida, Heiltsuk, Nuxalk, Tsimshian, Kwakwaka'wakw, Nuu-chah-nulth and other First Nations and Native American tribes of the Northwest Coast of North America, from pre-European-contact times up to the present.
Salish peoples located in the Pacific Northwest and parts of Southern Alaska were known to build totem poles that were meant to symbolize a tribe member's spirit animal or family crest. They continue on this legacy today by selling hand carved totem poles formed in the same fashion.
Coast Salish are peoples from the Pacific Northwest Coast made up of many different languages and cultural characteristics. Coast Salish territory covers the coast of British Columbia and Washington state. Within traditional Coast Salish art there are two major forms; the flat design and carving, and basketry and weaving.
One carving near the Celebration Park Visitor’s Center looks like a circle with two rectangles on top of it. Schwend, director of Canyon County Parks, Cultural and Natural Resources, says she ...
Recognizable art markets between Natives and non-Natives emerged upon contact, but the 1820–1840s were a highly prolific time. In the Pacific Northwest and the Great Lakes region, tribes dependent upon the rapidly diminishing fur trade adopted art production a means of financial support.