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The iPhone 11 includes a dual-lens 12 MP rear camera array. It has one ƒ/2.4 ultra-wide-angle lens with a 120° field of view and 2× optical zoom out, and one ƒ/1.8 wide-angle lens. The iPhone 11 supports 4K video at up to 60 fps and 1080p slow motion at up to 240 fps. [2]
iPhone 11 iPhone 11 Pro / 11 Pro Max 3 GB iPhone SE (2nd gen) A12 Bionic 4 GB iPhone XS / XS Max 3 GB iPhone XR: A11 Bionic iPhone X / 8 Plus iOS 16.7.10: 2 GB iPhone 8: A10 Fusion 3 GB LPDDR4 1600 MHz iPhone 7 Plus iOS 15.8.3: 2 GB iPhone 7: A9 iPhone 6s / 6s Plus iPhone SE (1st gen) A8 1 GB LPDDR3 800 MHz eMMC iPhone 6 / 6 Plus iOS 12.5.7 A7 ...
iPhone: April 15, 2020 iPhone 11: iPhone: September 7, 2022 iPhone 11 Pro: iPhone: October 13, 2020 iPhone 11 Pro Max: iPhone: October 13, 2020 September 25, 2019 iPad (7th generation) iPad: September 15, 2020 October 30, 2019 AirPods Pro: Headphones: September 7, 2022 November 13, 2019 MacBook Pro (16-inch, 2019) MacBook Pro: October 18, 2021 ...
Pre-orders began on September 13, with the iPhone 11 Pro starting from a base price of $999, and the larger screen Pro Max starting from $1,099. The phones were released on September 20 in the US and other countries, with all releases complete by December 6. [18] The iPhone 11, 11 Pro and the 11 Pro Max made up the 13th generation of iPhones.
Compositing, image overlays, watermarks When arranging clips in a video project, images on the higher tracks/layers will be displayed on top, and the lower tracks will be displayed behind them. Much like a stack of paper, items on top cover up items below them. And if you cut any holes out (i.e. transparency) the lower images will show though.
Watermarks present an issue when archival videos are used for a documentary that strives to create a coherent story. In some cases, watermarks are blurred or digitally removed if possible to clean up the picture. In the absence of visually perceptible watermarks content control can be ensured with visually imperceptible digital watermarks. [2]
A digital watermark is called imperceptible if the watermarked content is perceptually equivalent to the original, unwatermarked content. [7] In general, it is easy to create either robust watermarks or imperceptible watermarks, but the creation of both robust and imperceptible watermarks has proven to be quite challenging. [2]
Stock footage companies began to emerge in the mid-1980s, offering clips mastered on Betacam SP, VHS, and film formats.Many of the smaller libraries that specialized in niche topics such as extreme sports, technological or cultural collections were bought out by larger concerns such as Corbis or Getty Images over the next couple of decades.