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The Thin Man is a 1934 American pre-Code comedy-mystery film directed by W. S. Van Dyke and based on the 1934 novel by Dashiell Hammett.The film stars William Powell and Myrna Loy as Nick and Nora Charles, a leisure-class couple who enjoy copious drinking and flirtatious banter.
The Thin Man is a media franchise featuring detective characters Nick and Nora Charles based on the 1934 novel of the same name by Dashiell Hammett. The franchise includes six theatrical films, one radio series, and one television series.
The Thin Man (1934) is a detective novel by Dashiell Hammett, originally published in a condensed version in the December 1933 issue of Redbook. It appeared in book form the following month. A film series followed, featuring the main characters Nick and Nora Charles, and Hammett was hired to provide scripts for the first two. [1]
Nick and Nora Charles are fictional characters created by Dashiell Hammett in his novel The Thin Man.The characters were later adapted for film in a series of films between 1934 and 1947; for radio from 1941 to 1950; for television from 1957 through 1959; as a Broadway musical in 1991; and as a stage play in 2009.
Loy and Powell (and the dog Skippy) in a promotional photo for The Thin Man. William Powell (1892–1984) and Myrna Loy (1905–1993) starred in 13 movies together in the 1930s and '40s. Loy also had an uncredited cameo in their 14th and last film together, The Senator Was Indiscreet , which starred Powell.
Two celebrity-led production companies — Margot Robbie’s LuckyChap and Brad Pitt’s Plan B — are in talks to co-produce a remake of the classic 1934 comedy mystery “The Thin Man ...
Woodbridge Strong Van Dyke II (March 21, 1889 – February 5, 1943) was an American film director who made several successful early sound films, including Tarzan the Ape Man in 1932, The Thin Man in 1934, San Francisco in 1936, and six popular musicals with Nelson Eddy and Jeanette MacDonald.
The similarity between RKO's The Ex-Mrs. Bradford and M-G-M's The Thin Man (1934) was speculated about given the chances that RKO's film would eclipse After the Thin Man (1936), which was to be released later in the year, at the box office. Modern sources claim that the film was RKO's third most successful production of 1936.