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Ordinary Puerto Rican Pava. The pava is a straw hat made out of the leaves of the Puerto Rican hat palm.It is normally associated with the Puerto Rican jíbaro and with the Popular Democratic Party (PPD).
Two guayaberas seen from the back, showing the alforza pleats and the Western-style yoke. The guayabera (/ ɡ w aɪ. ə ˈ b ɛr ə /), also known as camisa de Yucatán (Yucatán shirt) in Mexico, is a men's summer shirt, worn outside the trousers, distinguished by two columns of closely sewn pleats running the length of the front and back of the shirt.
Puerto Rican art is the diverse historic collection of visual and hand-crafted arts originating from the island. The art of the Puerto Ricans (Spanish: puertorriqueños or boricuas) draws from the various cultural traditions of the indigenous Taino people, as well as the history of the island as the subject of various other nations.
The Puerto Rican cuatro, a staple of jibaro music. Jíbaro culture is also characterized by its own typical Puerto Rican folk music, commonly termed "jíbaro music". [12] "Jíbaro music and dance was the principal musical expression of the humble and hardworking mountain people who worked the coffee plantations and inland farms of Puerto Rico."
A vejigante is a folkloric character in Puerto Rican festival celebrations, mainly seen during Carnival time. Traditional colors of the Vejigantes were green, yellow and red, or red and black. Today, Vejigantes wear brightly colored, ornate masks corresponding to the colors of their costumes that detail bat-like wings.
Antonio Lopez (February 11, 1943 – March 17, 1987) was a Puerto Rican fashion illustrator whose work appeared in such publications as Vogue, Harper's Bazaar, Elle, Interview and The New York Times. Several books collecting his illustrations have been published. n his obituary, the New York Times called him a "major fashion illustrator."
Pages in category "Puerto Rican art" The following 9 pages are in this category, out of 9 total. This list may not reflect recent changes. ...
Puerto Rican Spiritists were social darwinists and extrapolated this to a spiritual plane, where each subsequent incarnation would mean advance towards "perfection". By 1878, Francisco del Valle Atiles became concerned that the popularity that spiritism was gaining within the poor was misrepresenting it in unscientific and irrational ways by ...