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Vandoren was founded in 1905 by Eugène Van Doren (1873-1940), a clarinetist for the Paris Opera.The original location was eventually moved to 56 Rue Lepic, Paris, where his son, Robert Van Doren (1904-1996), took over the business around 1935 and designed the 5RV mouthpiece.
Reed contrabass/Contrabass à anche; Rhaita (North Africa) Rothphone; Sarrusophone (but often played with single reed mouthpiece) Shawm (Schalmei) Sopilas (Croatia) Sornas (Persia) Suona (China) Surnayers (Iran) Taepyeongso (Korea) Tárogatós (Hungary; up to about the 18th century) Tromboon; Trompeta china (Cuba) Zurla (Macedonia) Zurna
The EE♭ sarrusophone has the tone of a reedy contrabass saxophone, while the CC sarrusophone sounds much like the contrabassoon.The BB♭ contrabass sarrusophone is the lowest of the sarrusophones, and was the lowest-pitched wind instrument until the invention of the EEE♭ octocontra-alto and the BBB♭ octocontrabass clarinets, and the BB♭ subcontrabass tubax.
Single-reed woodwinds produce sound by fixing a reed onto the opening of a mouthpiece (using a ligature). When air is forced between the reed and the mouthpiece, the reed causes the air column in the instrument to vibrate and produce its unique sound. Single reed instruments include the clarinet and saxophone. [9] [10]
The oboe uses a double reed, similar to that used for the bassoon. [12] Most professional oboists make their reeds to suit their individual needs. By making their reeds, oboists can precisely control factors such as tone color, intonation, and responsiveness. They can also account for individual embouchure, oral cavity, oboe angle, and air support.
Like the oboe and bassoon, all sizes of sarrusophone were originally designed to be played with a double reed. Later, single reed mouthpieces were developed which resemble alto or soprano saxophone mouthpieces. It is unclear if these were available for all sizes of the sarrusophone family, the most common examples being for the E♭ contrabass.