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Artemisia and her oeuvre became a focus again, having had little attention in art history scholarship save Roberto Longhi's article "Gentileschi padre e figlia (Gentileschi, father and daughter)" in 1916 and Bissell's article "Artemisia Gentileschi—A New Documented Chronology" in 1968. As Artemisia and her work began to garner new attention ...
The following is an incomplete list of works by Artemisia Gentileschi. Catalogue numbers abbreviated "WB" are taken from the 1999 publication by Raymond Ward Bissell, [1] and number abbreviated "MET" are from the 2001 publication by the Metropolitan Museum of Art. Other attributions are taken from Jesse Locker's The Language of Painting.
Judith Slaying Holofernes is a painting by the Italian early Baroque artist Artemisia Gentileschi, completed in 1612-13 and now at the Museo Capodimonte, Naples, Italy. [1] The picture is considered one of her iconic works. The canvas shows Judith beheading Holofernes.
Gentileschi was one of many artists who used Judith as a prominent and recurring subject throughout the Baroque period. In fact, Orazio Gentileschi, Artemisia Gentileschi's father, painted Judith and Her Maidservant with the Head of Holofernes c. 1610. Both artists assign the scene with a sense of urgency by choosing moments within the story ...
Saint Cecilia (Artemisia Gentileschi) Saint Januarius in the Amphitheatre at Pozzuoli; Saints Proculus and Nicea (painting) Self-Portrait (Artemisia Gentileschi) Self-Portrait as a Female Martyr; Self-Portrait as a Lute Player; Self-Portrait as Saint Catherine of Alexandria; Self-Portrait as the Allegory of Painting; Susanna and the Elders ...
Bathsheba is a 1636-37 painting by the Baroque painter Artemisia Gentileschi, with contributions by Viviano Codazzi (who painted the architecture at the top left of the painting) and Domenico Gargiulo (who painted the landscape). [1] It shows the Hittite woman Bathsheba being washed and tended to by her servants. At the top left of the painting ...