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Tonewood refers to specific wood varieties used for woodwind or acoustic stringed instruments. The word implies that certain species exhibit qualities that enhance acoustic properties of the instruments, but other properties of the wood such as aesthetics and availability have always been considered in the selection of wood for musical instruments.
HD-28: Has scalloped braces, [7] said to give the guitar a more "open" sound than a D-28. Also features the herringbone (or "pre-war") top border and a zigzag, or "zipper" backstrip. [8] HD-28V: This variation resembles the original pre-war model and features both chrome butter-bean tuners and herringbone bindings around the aged-toned top.
The Wildwood was a variation on the Fender King guitar, featuring a variety of dyed wood colors. The unique color patterns were achieved by injecting living beech trees with dye prior to being harvested to make the veneer for the back, sides, top and headstock.
This sturdier guitar was less likely to be returned to Gibson for warranty work, but its volume was reduced and tone negatively affected. [3] In 1985 Gibson's new owners began to address the quality issues that were affecting the company's products and reputation. [4] By 1992 production of Gibson acoustic guitars was shifted to Bozeman, Montana.
This guitar as well as the cello are similarly designed in order to amplify and project the acoustic vibration of strings throughout carved and tuned woods, using f-holes as the projection points. From 1922 to 1934 the L-5 was produced with a 16" lower bout width. In 1934 the lower bout was increased to 17"; this width is still used today.
In 1947 the materials used for the guitar changed to maple back and sides. Gibson changed the name to the J-200 in 1955. Due to the weak post-depression economy and wartime austerity, demand for this high-end guitar was very limited and production quantities were small. Early models made from rosewood are highly prized by collectors.