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  2. Nashville Number System - Wikipedia

    en.wikipedia.org/wiki/Nashville_Number_System

    The Nashville Number System is a method of transcribing music by denoting the scale degree on which a chord is built. It was developed by Neal Matthews Jr. in the late 1950s as a simplified system for the Jordanaires to use in the studio and further developed by Charlie McCoy. [1]

  3. Circle of fifths - Wikipedia

    en.wikipedia.org/wiki/Circle_of_fifths

    In music theory, the circle of fifths (sometimes also cycle of fifths) is a way of organizing pitches as a sequence of perfect fifths. Starting on a C, and using the standard system of tuning for Western music (12-tone equal temperament), the sequence is: C, G, D, A, E, B, F ♯ /G ♭, C ♯ /D ♭, G ♯ /A ♭, D ♯ /E ♭, A ♯ /B ♭, F ...

  4. Sixth chord - Wikipedia

    en.wikipedia.org/wiki/Sixth_chord

    In early music, what is today called a sixth chord or first inversion in classical music was considered an autonomous harmonic entity with the root named by the bass, while it was later simply considered an inversion of a chord with the bass being the third (not the root) and the root being the sixth (not the bass). A first-inversion C major ...

  5. Minor chord - Wikipedia

    en.wikipedia.org/wiki/Minor_chord

    In music theory, a minor chord is a chord that has a root, a minor third, and a perfect fifth. [2] When a chord comprises only these three notes, it is called a minor triad . For example, the minor triad built on A, called an A minor triad, has pitches A–C–E:

  6. Music theory - Wikipedia

    en.wikipedia.org/wiki/Music_theory

    The Oxford Companion to Music describes three interrelated uses of the term "music theory": The first is the "rudiments", that are needed to understand music notation (key signatures, time signatures, and rhythmic notation); the second is learning scholars' views on music from antiquity to the present; the third is a sub-topic of musicology ...

  7. Repetition (music) - Wikipedia

    en.wikipedia.org/wiki/Repetition_(music)

    The Complete Idiot's Guide to Music Theory. ISBN 978-1-59257-437-7. Moravcsik, Michael J. (2001). Musical Sound: An Introduction to the Physics of Music. ISBN 978-0-306-46710-3. Jonas, Oswald (1982). Introduction to the Theory of Heinrich Schenker (1934: Das Wesen des musikalischen Kunstwerks: Eine Einführung in Die Lehre Heinrich Schenkers ...