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The mandolin is 56.3 x 19.9 cm, scale 31.5 cm.; 4: Neapolitan mandolin (metal strings) made between 1767 and 1784 by Vicenzo Vinaccia. (585 mm x 180 mm, scale length 330 mm.) The instruments predating the 18th century mandolinos, the gittern, mandore, mandora and mandola were instruments averaging
Some of these await discovery in museums and libraries and archives. One example of rediscovered 18th-century music for mandolin and ensembles with mandolins is the Gimo collection, collected in the first half of 1762 by Jean Lefebure. [62] Lefebure collected the music in Italy, and it was forgotten until manuscripts were rediscovered. [62]
Mandora or gallichon generally refers to a bass lute from the 1700s, with a vibrating string length of 72 centimeters or greater, used in Germany and Bohemia. It could be either single- or double-strung. [3] James Tyler pointed out in his book The Early Mandolin that the word mandora was rarely encountered before the 18th century. [4]
The strings are played with a plectrum, producing the rapid and characteristic tremolo sound as the plectrum moves rapidly over unison strings. In that configuration, the Neapolitan mandolin started to be manufactured widely in Naples in the mid-18th century.
A mandolone is a member of the mandolin family, created in the 18th century. It is a bass range version of the Neapolitan mandolin. [1] Its range was not as good as the mandocello, which replaced it in mandolin orchestras, and had largely disappeared in the 19th century.
[1] [2] He was a composer for the mandolin and his works can be found scattered in 18th century collections such as the Gimo music collection and the Bibliothèque Nationale de France. [ 3 ] [ 4 ] He also wrote a mandolin method Methode facile pour apprendre a quatre cordes, instrument pour les dames (Easy method for learning four-string ...