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Backbeat chop [1] [2] Play ⓘ. In music, a chop chord is a "clipped backbeat". [3] [4] In 44: 1 2 3 4.It is a muted chord that marks the off-beats or upbeats. [5] As a rhythm guitar and mandolin technique, it is accomplished through chucking, in which the chord is muted by lifting the fretting fingers immediately after strumming, producing a percussive effect.
The piccolo or sopranino mandolin is a rare member of the family, tuned one octave above the mandola and one fourth above the mandolin (C 4 –G 4 –D 5 –A 5); the same relation as that of the piccolo (to the western concert flute) or violino piccolo (to the violin and viola). One model was manufactured by the Lyon & Healy company under the ...
Most bluegrass mandolin players choose one of two styles. Both have flat or nearly flat backs and arched tops. The so-called a-style mandolin has a teardrop-shaped body; the f-style mandolin is more stylized, with a spiraled wooden cone on the upper side and a couple of points on the lower side.
The guitar zither (also chord zither, fretless zither, [1] [2] mandolin zither [3] or harp zither [4]) is a musical instrument consisting of a sound-box with two sets of unstopped strings. One set of strings is tuned to the diatonic , chromatic , or partially chromatic scale and the other set is tuned to make the various chords in the principal ...
Two styles of mandolin-banjo, showing a large and small head, with a full size, four-string banjo (bottom). L-R - Banjo-mandolin, standard mandolin, 3-course mandolin, Tenor mandola. The mandolin-banjo is a hybrid instrument, combining a banjo body with the neck and tuning of a mandolin. It is a soprano banjo. [1]
Italian mandolin virtuoso and child prodigy Giuseppe Pettine (here pictured in 1898) brought the Italian playing style to America where he settled in Providence, Rhode Island, as a mandolin teacher and composer. Pettine is credited with promoting a style where "one player plays both the rhythmic chords and the lyric melodic line at once ...
Beethoven's Milanese mandolin, hung beside the piano in his home. Ludwig van Beethoven composed at least six works for mandolin, four of which survive. [1] None were published during his lifetime. [2] Though known better as a pianist, Beethoven possessed a Milanese mandolin, which was hung beside his piano. [2]
The scale length of the octave mandolin is longer than that of the mandolin, and varies more widely, from 19 inches (480 mm) to 24 inches (610 mm), with 21 inches (530 mm) being typical. The internal bracing is similar to the mandolin and mandola, with a single transverse brace on the top just below the oval sound hole.