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The proximity effect in audio is an increase in bass or low frequency response when a sound source is close to a directional or cardioid microphone. [1] [2] Proximity effect is a change in the frequency response of a directional pattern microphone that results in an emphasis on lower frequencies. It is caused by the use of ports to create ...
The origin of SM57 may be traced to 1937, when Shure engineer Benjamin Bauer developed the first single-element directional microphone, the Unidyne, which had a cardioid pickup pattern. [1] In 1959, another Shure engineer, Ernie Seeler, advanced the art of microphone design significantly with the Unidyne III capsule which was later used in the ...
The Electro-Voice RE20 is an American professional cardioid dynamic microphone, commonly used in broadcasting applications since 1968. Designed by Electro-Voice using the company's patented Variable-D technology and a large-diaphragm element, it has been described as an industry standard "iconic" microphone for its natural sound and its wide ...
Shure MV7 podcasting microphone. The Shure MV7 is a cardioid dynamic microphone used for podcasting and home studio applications. The MV7 was developed in 2020 by Shure as a digital audio reworking of the classic SM7B professional broadcasting microphone. The MV7 was rated the best podcasting microphone by Rolling Stone in their 2021 Audio ...
University Sound US664A dynamic supercardioid microphone. The most common unidirectional microphone is a cardioid microphone, so named because the sensitivity pattern is "heart-shaped" (i.e. a cardioid). The cardioid family of microphones are commonly used as vocal or speech microphones since they are good at rejecting sounds from other directions.
Mid/side coincident technique employs a bidirectional microphone (with a figure of 8 polar pattern) facing sideways and a cardioid (generally a variety of cardioid, although Alan Blumlein described the usage of an omnidirectional transducer in his original patent) facing the sound source.