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"Son of a Preacher Man" is a song written and composed by American songwriters John Hurley and Ronnie Wilkins and recorded by British singer Dusty Springfield in September 1968 for the album Dusty in Memphis. Springfield's version was produced by Jerry Wexler, Tom Dowd, and Arif Mardin for her first album for the Atlantic Records label.
It is thought that "Son of a Preacher Man" contributed to the sales of the soundtrack album, which sold more than 2 million copies in the US. [ 77 ] [ 78 ] During September and October 1969, Springfield hosted her third and final BBC musical variety series (her fourth variety series overall), Decidedly Dusty (co-hosted by Valentine Dyall ). [ 45 ]
Dusty – The Silver Collection is a compilation album by English singer Dusty Springfield, released by Philips Records in 1988. It contains 24 selected tracks recorded between 1963 and 1970, including all of Springfield's top 10 singles from that period.
However, it then rose again to No.36 the following week, where it remained for two weeks, before leaving the charts, having been on them for six weeks. This may have been in part with the fact that her top 10 single 'Son Of A Preacher Man was in the charts at the same time and was being promoted by Dusty in the US and other European countries.
Bobbie Gentry (born Roberta Lee Streeter; July 27, 1942) [1] is an American retired singer-songwriter. She was one of the first female artists in America to compose and produce her own material.
The post Son of a Preacher Man: Our 1989 Terence Trent D’Arby Cover Story appeared first on SPIN. At 8:30 in the morning, the interview finally over, Terence Trent D'Arby still wants to talk.
In the video series posted on Instagram and TikTok, father of two Eric Taylor shares the lessons he gives his daughters, age four and six, inspired by the “dusty son” TikTok trend.
[10] Springfield disputed this, saying she did choose two: "Son of a Preacher Man" and "Just a Little Lovin ' ". [11] Wexler was surprised, given Dusty's talent, by her apparent insecurity. Springfield later attributed her initial unease to a very real anxiety about being compared with the soul greats who had recorded in the same studios.