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In 2012, Jackson was ranked the fifth best selling singles artist in the United Kingdom with 15.3 million singles sold. [3] Jackson's first solo entry on the US Billboard Hot 100 songs chart was "Got to Be There", which peaked at number four in 1971. [4] Jackson's first number-one hit on the chart was "Ben", in 1972. [5]
Jackson went on to record the single "State of Shock" with Mick Jagger for the Jacksons' album Victory (1984). [9] In 1982, Jackson combined his interests in songwriting and film when he contributed the song "Someone in the Dark" to the storybook for the film E.T. the Extra-Terrestrial .
Michael Jackson was paid 34 million dollars (adjusted) to perform one concert for the Sultan of Brunei, which is the most money ever allocated for a single music performance. [ 61 ] On November 14, 1991, the debut of Michael Jackson's music video Black or White was broadcast simultaneously in 27 countries, to the largest audience in television ...
The second posthumous Michael Jackson album was a substantial improvement over 2010’s Michael.The album featured eight unreleased songs Jackson had worked on in the ’80s and ’90s, polished ...
Michael Jackson became first artistto debut at number one also having number one song in 3 different decades with black or white which stayed at number one for 7 weeks "Candle in the Wind 1997" by Elton John topped the Billboard Hot 100 for 14 weeks. It is the best-selling single in the chart's history. #
Off The Wall made Jackson the first solo artist to have four singles from the same album peak in the top 10 on the Billboard Hot 100. [14] The album was certified 9× Platinum by the RIAA and has sold over 20 million copies worldwide, making it one of the best-selling albums of all time .
When Ben Mallison was a child in the early 90s in Manchester, England, his favorite video games featured Sonic, a blue hedgehog who wore red-and-white, Michael Jackson-style boots. Ben was a "Blue" -- a hardcore Sonic fan.
[150] Consequence of Sound's Michael Roffman described the album as "Jackson's 90s masterpiece." [ 151 ] Scholar Susan Fast thought of Dangerous as Jackson's coming-of-age album: “[The album] offers a compelling narrative arc of postmodern angst, love, lust, seduction, betrayal, damnation, and above all else racial politics, in ways ...