Search results
Results From The WOW.Com Content Network
Many moldavian composers were inspired by the poetry of Grigore Vieru (songbook «Poftim de intrați», «Cine crede» etc.), the poet himself is the author of a lot of melodies («Să crești mare» etc.) and since 1964 he began to collaborate with composer Yulia Tsibulskaya («Soare, soare», «Clopoțeii», «Stea-stea, logostea», «Ramule ...
You are free: to share – to copy, distribute and transmit the work; to remix – to adapt the work; Under the following conditions: attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made.
Brâncovenesc art or Brâncovenesc style (Romanian pronunciation: [brɨŋkovenesk]; Romanian: artă brâncovenească or stil brâncovenesc), also known as the Wallachian Renaissance or the Romanian Renaissance, is an artistic style that evolved during the administration of Prince Constantin Brâncoveanu in the late 17th and early 18th centuries. [1]
Oltenia's main city and seat for a majority of the late Middle Ages is Craiova. The first medieval seat of Oltenia was Turnu Severin, anciently called Drobeta, in the Banate of Severin. That city is located near the site of Trajan's Bridge, built by Apollodorus of Damascus for Emperor Trajan in his conquest of the region.
Oltenia (Lesser Wallachia): the territory between the rivers Danube and Olt and the Southern Carpathians became part of the Principality of Wallachia in the early 14th century. [4] Moldavia (united with Wallachia in 1859 to create modern Romania): Western Moldavia: in today's form part of Romania since 1944;
Romanian stamp depicting Dănilă Prepeleac "Dănilă Prepeleac" (Romanian pronunciation: [dəˈnilə prepeˈle̯ak]; occasionally translated as "Danilo the Pole", "Dănilă Haystack-Peg" or "Danillo Nonsuch") is an 1876 fantasy short story and fairy tale by Romanian author Ion Creangă, with a theme echoing influences from local folklore.
E Lou-Ling, la mia ava, trascinata da un uomo come te, come te, straniero, là nella notte atroce dove si spense la sua fresca voce! La folla Da secoli ella dorme nella sua tomba enorme. Turandot O Principi, che a lunghe carovane d'ogni parte del mondo qui venite a gettar la vostra sorte, io vendico su voi, quella purezza, quel grido e quella ...
Caloian had a spring version, which often occurred on the "third Tuesday after Easter", and concluded on the following Thursday. [1] Folklorists Ion H. Ciubotaru an Silvia Ciubotaru write that having fixed days for Caloian during Easter was "wholly exceptional" in a Moldavian context; they also indicate one other variant in which Caloian coincided with the first Thursday after Easter. [2]