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A vampire woman takes her human boyfriend to her home, explaining to him how vampires operate. Planning to start a new life with him, the vampire woman turns her boyfriend into a vampire as well. However, they are attacked by the woman's all-female coven, led by their matriarch, Duke.
But lesbian vampires, in particular, have enjoyed a certain popularity. Beginning with early film adaptations of 19th-century novels to a present-day small-screen resurgence, the subgenre has ...
Articles relating to the depictions of lesbian vampires, a trope in early gothic horror and 20th century exploitation film. The archetype of a lesbian vampire used the fantasy genre to circumvent the heavy censorship of lesbian characters in the realm of social realism.
We Are the Night (German: Wir sind die Nacht) is a 2010 German vampire horror film directed by Dennis Gansel, starring Karoline Herfurth and Nina Hoss. The film deals with a young woman who gets bitten by a female vampire and drawn into her world. She falls in love with a young police officer who investigates a murder case involving the vampires.
The group arrives at their destination, only to learn that a curse rests over the village: every female child turns into a lesbian vampire on her 18th birthday. There is an old legend stating that the Vampire Queen, Carmilla, descended on the village during the night of a blood moon, killed its menfolk and seduced its women to her evil. When ...
A down on his luck cubicle worker and his slacker best friend discover that their new boss is a vampire who is turning their co-workers into the undead. Vampire in Love (恋する ヴァンパイア) 2015 Japan: Mai Suzuki: Mirei Kiritani, Shōta Totsuka, Natsume Mito: Kiira seems like an ordinary young girl who likes to dress up.
The vampire women may be his wives throughout his lifetime, descendants of his whom he turned into vampires or simply nonspecific women he killed and turned into vampires to create more of his kind. As vampires, the sisters are powerful in their own right; their beauty and seductive charm belie lethal, predatory interiors.
The genre has its roots in Sheridan le Fanu's novella Carmilla about the love of a female vampire for a young woman: . Sometimes after an hour of apathy, my strange and beautiful companion would take my hand and hold it with a fond pressure, renewed again and again; blushing softly, gazing in my face with languid and burning eyes, and breathing so fast that her dress rose and fell with the ...