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The solo artist (ekaharya) in Bharatanatyam is dressed in a colorful sari, adorned with jewelry and presents a dance and it is synchronized with Indian classical music. [67] The hand and facial gestures are a coded sign language able to recite legends and spiritual ideas from the Mahabharata , the Ramayana , the Puranas and historic drama texts.
This dance is primarily performed by men from the Kuruba Gowda caste. The Dollu Kunitha is characterized by vigorous drum beats, quick movements and synchronized group formations. Bharatnatyam / Bharata Natya. Bharatanatyam is classical dance of Karnataka too. It is referred to as Bharata Natya in Kannada.
A traditional Bharatanatyam dance performance follows a seven to eight-part order of presentation called margams. [37] The dancers are usually dressed in colorful silk saris with golden or silver zari embroidery on the borders, draped in a specific way and adorned with various jewelry. [32]
The Pandanallur style is a style of Bharatanatyam Indian dance. It is mainly attributed to Dance Guru Meenakshi sundaram Pillai (1869–1964), a dance guru who lived in the village of Pandanallur , in the Thanjavur district in the south Indian state of Tamil Nadu .
Bharatanatyam dance theatre productions (4 P) Bharatanatyam styles (3 P) E. Elements of a Bharatanatyam performance (4 P) Bharatanatyam exponents (124 P) N ...
Vazhuvoor (or Vizhuvur) is one of the original styles of Bharatanatyam, a major form of Indian classical dance. The main distinctive features include: rich sringar [definition needed] elements; wide range of dancing pace; softer facial abhinaya; extremely elaborate movements; deep sitting positions; variety of positions on the floor
Pushpanjali is also an invocatory dance conducted at the beginning of a Bharatnatyam performance. [1] It is the salutation to Lord Nataraja , the Guru, the musicians, and the audience. The dancer holds flowers to offer prayers to the Trinity of Gods , goddesses , ashta dikpalakas , and scholars in dance.