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Jules and Jim (French: Jules et Jim [ʒyl e dʒim]) is a 1962 French New Wave romantic drama film directed, produced and co-written by François Truffaut.Set before, during, and after World War I, it follows a tragic love triangle involving French bohemian Jim (Henri Serre), his shy Austrian friend Jules (Oskar Werner), and Jules' girlfriend and later wife Catherine (Jeanne Moreau).
In his later years, he wrote and published two successful novels. His first novel, Jules et Jim (1952), was published when he was 74. His second novel, also inspired by his life, was Deux Anglaises et le continent (Two English Girls, 1956). Both novels, although written by a man who was quite advanced in age, express a vitality and freshness ...
Henri Serre (26 February 1931 – 9 October 2023) was a French actor who was best known for his role as Jim, a "vivid, melancholy, and finally tragic figure" [1] in François Truffaut's Jules and Jim. Other appearances include The Fire Within, Section spéciale and Mister Frost. Serre died on 9 October 2023, at the age of 92. [2]
In French New Wave director François Truffaut's 1962 movie Jules et Jim, one of the two male characters, Jim, who is visiting his friend Jules, is lent the book, but Jules' wife, Catherine, suddenly asks him to return it. She then becomes Jim's lover.
Untitled (Two Women) earthenware with glazes by Beatrice Wood, 1990 Beatrice Wood (March 3, 1893 – March 12, 1998) was an American artist and studio potter involved in the Dada movement in the United States; she founded and edited The Blind Man and Rongwrong magazines in New York City with French artist Marcel Duchamp and writer Henri-Pierre Roché in 1917. [3]
Jeanne Moreau (French: [ʒan mɔʁo]; 23 January 1928 – 31 July 2017) was a French actress, singer, screenwriter, director, and socialite.She made her theatrical debut in 1947, and established herself as one of the leading actresses of the Comédie-Française.
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Raoul Coutard (16 September 1924 – 8 November 2016) [1] was a French cinematographer.He is best known for his connection with the French New Wave (Nouvelle Vague) period and particularly for his work with director Jean-Luc Godard, which includes Breathless (1960), A Woman Is a Woman (1961), Vivre sa vie (1962), Bande à part (1964), Alphaville, Pierrot le Fou (both 1965), and Weekend (1967).