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The Miserere, by Josquin des Prez, is a motet setting of Psalm 51 (Psalm 50 in the Septuagint numbering) for five voices. He composed it while in the employ of Duke Ercole I d'Este in Ferrara , in 1503 or 1504. [ 1 ]
Settings of individual penitential psalms have been written by many composers. Well-known settings of the Miserere (Psalm 50/51) include those by Gregorio Allegri and Josquin des Prez; yet another is by Bach. Settings of the De profundis (Psalm 129/130) include two in the Renaissance by Josquin. [citation needed]
Magnificat quarti toni (attributed to Josquin on stylistic grounds) Magnificat tertii toni (attributed to Josquin on stylistic grounds) Memor esto verbi tui; Miserere mei Deus (Ferrara, 1503) Misericordias Domini in aeternum cantabo (France, 1480/83) Missus est Gabriel angelus ad Mariam Virginem; Mittit ad virginem; Monstra te esse matrem
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Psalm 51, one of the penitential psalms, [1] is the 51st psalm of the Book of Psalms, beginning in English in the King James Version: "Have mercy upon me, O God".In the slightly different numbering system used in the Greek Septuagint and Latin Vulgate translations of the Bible, this psalm is Psalm 50.
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Miserere (full title: Miserere mei, Deus, Latin for "Have mercy on me, O God") is a setting of Psalm 51 (Psalm 50 in Septuagint numbering) by Italian composer Gregorio Allegri.
Miserere, c. 1503 motet setting by Josquin des Prez; Miserere nostri, 1575 composition by Thomas Tallis; Miserere, 1630s musical setting by Gregorio Allegri; Miserere des Jésuites H.193 (1683-85), Miserere H.157 (1670), Miserere H.173 (late 1670s), Miserere H.219 (early 1690s ?), by Marc-Antoine Charpentier